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Simply press the upper or lower Komfo on your plote to conform to the shape of your denture. Return the plate to your mouth and bite. The natural heat of your mouth will set Komfo to shape. Then just FEEL the difference when you eat difficult foods such as: corn on cob, toma¬ toes, celery, nuts, etc. Komfos are guaranteed to satisfy or your money will be refunded. Give Komfos a chance — you'll never regret it.
SPECIFY WHEN ORDERING UPPER OR LOWER KOMFOS OR BOTH.
Simple Instructions With Each Order
ORDER FROM LABORATORY
Send $1 for 20 Komfo lowers Send $1 for 16 Komfo uppers
KOMFO DENTAL PAD CO.
Dept. 379, P. O. Box 6311, Philo. 39, Penna.
■KOMFO
PLATE PILLOWS MAKE FALSE TEETH FIT FINE
STRICTLY FOR LISTENING
Double-trouble anti a switch on romance — that’s what Movieland serves up as choice record fare this month
Doris Day isn’t spending all her time mak¬ ing pictures. Her new platters are honeys.
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Opportunity ror pub* lication and advance royalty. No charge for melodies. Records, lead sheets furnished. Send song material now. Write for details. CINEMA SONG CO. Dpt A 8 Box 670, Beverly Hills, Calif.
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FRANCIS JAMES PRODUCTS CO., Dept. 1-J
1226 W. Augusta Blvd. Chicago 22, III.
BY VELMA SCOTT
VICTOR
A Man Could Be a Wonderful Thing Tambourine
Sensational lead, fine rhythm and solid lyrics. Ray McKinley and Marcy Lutes double up on the vocal for “A Man Could Be a Wonderful Thing.” Brass breaks by the band emphasize the knocked-out beat. On the reverse, “Tambourine” gets a jump arrangement from the band and a lively vocal by Ray. You’ll like the shoulder-shaking Latin rhythm of this one. Both are from the NY hit “Angel in the Wings.”
COLUMBIA
Confess
Love Somebody
We’re seeing double this month! Buddy Clark and Doris Day get together on a couple of can’t-missers, “Confess” and “Love Somebody.” The first features rhythm backing to good — but not extra-special — lyrics and tune. But “Love Somebody” sounds like a jazzed-up edition of Bach. No regular duet this! Doris and Buddy counter each other and work themselves up into a fine pitch of trying to find out who is the secret love in the other’s life. A really swell job of conversational singing.
SIGNATURE Don’t Blame Me Crazy Rhythm
That old cocktail-hour style by a rhythm combo just can’t be beat. The King Cole Trio was first to set the pace, and the only group to approach anywhere near their perfection is the Page Cavanaugh Trio. Page at the piano makes any tune sound like Gershwin’s best! For “Don’t Blame Me” they have a fine song to work with. Soul-stirring guitar choruses get the gold star for the month. “Crazy Rhythm” boasts hot tempo, brilliant improvisation. Here’s turntable dynamite.
VICTOR
At long last! A compilation of the waxings of Earl Hines featuring Billy Eckstine’s wonderful vocals on sides that haven’t been available for years. The album is called “Stormy Monday Blues” and includes the most famous recordings made by this stellar com¬ bination. Especially choice are “I’m Failin’ for You,” “Jelly Jelly,” “Stormy Monday Blues,” all collectors’ items. Though Billy’s on his own these days and is polling high as favorite male vocalist, he’s never recaptured the in¬ sinuation and warmth displayed on these etchings. If we’ve said little about Fa¬ ther Hines, it’s because it goes without
saying, he’s great!
Warner’s new “Romance on the High Seas” is jam-packed with wonderful tunes. Tony Martin does justice to the two loveliest, “It’s Magic” and “It’s You or No One.” Tony’s developed a warm yet dramatic quality to his singing that on this duo will set your heart a-flutter.
After you’ve heard Tex Beneke’s “On a Rainy Afternoon,” you’ll look forward to a thunderstorm — just in case this might happen to you! The lyrics are that inspired! Fine orchestration with a sax solo by Tex adds to the haunting quality of this lovely new ballad. For “Rambling Around,” Tex whistles and sings much as he did on the old Miller record “Chattanooga Choo Choo.” Even the arrangement strikes a familiar chord.