Movieland. (1950)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Hollywood’s Red’s desk bears evidence of many interests: poetry, books, musical compositions — to say nothing of painting. continued Daddy is talking to me.” At two she has a poise and assurance almost comic on top of her uncertain little legs. “She knows she belongs,” Red says. “When she is through with her wagon, she puts it in the drive¬ way right beside my car. Then Richard brings something of his and lines it up beside Valentina’s. Training is all right and we do try to guide them, but for the most part, raising kids is a matter of let¬ ting them develop their own capacities, leaving them alone to feel their way. No one in this world likes a job that they were pushed into.” The children adore Red because he clowns with them. When they fall down, he falls down. He laughs when he falls and they do, too, because he has taught them to laugh instead of cry after a tumble. He makes a face and they go wild patting and ministering to him. Red plays with them every afternoon on the lawn. They wTestle, climb in and out of the dog house, make up plays and take pictures. Red says he doesn’t teach the children a thing; they teach him. They’re like miniature adults. “People are always shouting at children,” he says. “ ‘Don’t touch, don’t touch, don’t touch.’ Have you ever seen women shopping in a department store?” Red gets to his feet and does a hilarious imitation. He picks up an imaginary vase, sees the price tag, and slams it down with a shudder. “And that same dame goes home and screams at her kids not to touch,” he concludes with a grim¬ ace that will have you howling with laughter. “Children waddle when they walk. They take two steps forward and a step back and sway as if they’d fall or pitch and their old man yells at ’em to be careful. Have you ever seen the same guy when he’s had a couple drinks? “I watch the children’s faces. They have no preconceived ideas. Everything is fresh and new to them; everything is wonder. Then I practice the same facial expressions before the glass and I’m the kid Junior that I do on the air. Audiences believe in Junior. Many complain because I’m not on the program enough . . . Then when I’m all set up about it, others demand that we change the program, get rid of Junior! “How could you possibly get rid of that kid? 55