Movie Makers (Jan-Dec 1930)

l»IO^ME »Iim.lCEIt9 the Round Table. "This," he explained, "is a projector, through the magic of which we can bring Nola to this very room, now — tomorrow — any time we please. Take off your shirt and pin it on that wall. Hurry." A moment later Nola was, indeed, with them again. She passed before their eyes in closeup, in semi-closeup, in long shot. She strode gracefully back and forth and smiled sweetly and somewhat bashfully at them from the folds of King Arthur's shirt. That gentleman sat with staring eyes and open mouth and marveled. "Wonderful!" he breathed, time and again, " — simply wonderful. Why, it's just as good as having her here in this very room — and very, very much safer." "Think so?" "Positively. I am happy." That night, Perkins, projector and films disappeared from Camelot for several hours and Nola saw herself as they had seen her in the glade the day before. Many weeks passed. Then one night the populace of Camelot was roused from its slumber by a terrific roaring in the courtyard. Knights hastily climbed into their armor and buckled their trusty swords about them, prepared to fight to the death for the safety of Camelot. King Arthur, roused from restless slumber, reached the courtyard as a huge bird that he recognized at once as the plane of Edward Perkins, rumbled slowly along the ground toward the far wall, gathering speed as it went. Just as a collision with the wall seemed imminent, it rose gracefully into the air and went roaring away into the night. Sir Ozana shivered and turned to his king. "What think ye. Sire?" "I think, as Perk would say, 'there's monkey business afoot.' Looks to me like someone has secretly learned to fiy that thing. Let's away to the Round Table and talk this over. Send someone after Perk." They strode into the little building that housed the Round Table. Roaring a command for ale. King Arthur lighted the candles. Then he stared at the Round Table. Weighted down with several boxes of film and the instrument Perkins had called a projector, was a note addressed to him. With a light of understanding dawning in his eye, Arthur picked it up. He read it through. Then— "Well, I'll be ^!! Listen to this." He read it aloud: "Dear Art: I hate to run away like this. You've been mighty kind to me, and I think the world of you. But love is love, for all that. "Nola and I are going to be married the minute we land in New York. Then we're going to Hollywood. She'll knock "em all Film Insurance To avoid wastage of Film and to secure the fine, charming quality of Screen pictures which only correct Exposure can give, use the Dremophot cinophot especially adapted jor Bell & Howell Co.'s Filmo 70, 75 & 70-D for CiNE-KoDAKS, Victor, DeVry, Pathe, Kinamo, Agfa-Ansco, etc. Stop Guessing Exposure The Drem Exposure Meters Are Instant, Automatic and Correct Under All Photographic Conditions. At Your Dealer DREM PRODUCTS CORPORATION DREM OF WESTERN EUROPE DREM PRODUCTS, LIMITED 152 WEST 42nd STREET, NEW YORK, N. Y. A Place For Everything and Everything In Its Place \ALL-MOVIE-CABINET, BRINGS REAL PLEASURE TO HOME MOVIES Ask Your Photo Supply Dealer (^ Price of Ail-Movie Cabinet $110^ MAKING TITLES AND EDITING when you have the ALL-MOVIE CABINET. Think of the convenience of having the entire equipment at your finger tips. You can put on a show in a minute's time without having to search all over the house. Screen unit is in place forming back of cabinet. Cabinet 40 inches high, 35 inches wide, 18 inches deep. Screeti 24 x 30 inches. NATIONAL ALL-MOVIE SALES CO. 333 No. Michigan Ave., Chicago, 111. 49