Movie Makers (Jan-Dec 1931)
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MOVIE MAKERS
77
kovsky), V 6615. (The entire suite is very valuable and charming.)
COLLEGE SONGS: (Usually marches. Also valuable as openers and as a change from ordinary military marches. ) Brown (Band), V 21017; Chicago (Band), B 4563; Cornell (Band), V 19855; Dartmouth (Glee Club), V 21375; Harvard (Band), V 20353-4; Iowa Corn Song, B 4579; Illinois (Band), V 19835; Maine Stein Song, C 2151D: Michigan (Band), V 19971; Northwestern (Band and Glee Club), V 21914; Notre Dame (Band). V 19932; Ohio State (Glee Club), V 20005; Pennsylvania (Band), V 20040; Princeton (Band), V 21355; Stanford (Band), V 20053; Texas (Band & Glee Club), V 21445; U. S. Navy (Band), V 21296; Washington and Lee, B 4078; West Point (Band), B 4007; Wisconsin (Band), V 19990; Yale (Band) V 20008-9.
FUNERAL MARCHES: (Solemn and sombre. Not necessarily suitable for tragic occurrences enacted on the screen. ) Funeral March (Chopin), V 25958, (Organ); Siegfried's Funeral March from Gbtterdammerung (Wagner), V9049; Funeral March On The Death Of A Hero (Andante from Beethoven's Eroica Symphony), from Album M-6, V 90439048, from Masterworks Set C 138.
THRILLS: (For sequences including battles, fights, riots, struggles or similar excitement.) Ride Of The Walkure (Wagner), V9163; Overture To Flying Dutchman (Wagner), V 6547; Egmont Overture (Beethoven), V 35790; Festival At Bagdad from Scheherezade (RimskyKorsakov), V 6246; Prelude To Act III of Lohengrin (Wagner), V 547; Ein Heldenleben (Richard Strauss), B 25000-4; from Album M-44, V 6982-6.
JOY: (Sequences showing pleasant festivities, reunions, etc. Many other obvious selections are n tioned.) Sorcerer's Apprentice (Dukas), V 7021; freud (composed and played by (Kreisler), (piano) B 4098; Caprice Viennois (Kreisler) an esque (Dvorak), V6692; Overture To Merry Windsor (Nicolai), V 35764; B 50089; Carnival OverM I Dvorak). V 6569: Scherzo from Midsummer Ni^M Dream music (Mendelssohn), B 50074, V 9283; TM^ (Schubert); Waltz (Chopin); Caprice (Ogarewl^J
BALLET: (This music may all be used to » joyous or light comedy sequences as wjfl ( Boccherini ) , V 20036; Coppelia Ballet (DeM B 50087; Sylvia Ballet (Delibes), V 35879^ Hours from Gioconda (Ponchielli), V^B Coq D 'Or -Introduction and Bridal £ Korsakov), V9696; Venusberg Musit (Wagner), from Album V M-78.
RELIGIOUS: (Music usually a festivities and seasons.) Adeste Fi (Organ), V 20298; Ave Maria (Bac V 21216; Ave Maria (Schubert) (Violi Christmas Bells ( Church chimes ) , Organ Fantasy, V 19816; Cantique
19820; Grande Pdque Russe (Russiai/ Easter) (Rimsky Korsakov), V 7018-9; Les Rameaux /(Faure) and Cuius Animam from Stabat Mater (Rossini/) (Organ), V 19967; Eili Eili and Kol Nidre (Jewish )/V 35830.
HURRY: (Most professional specially composed hurry musi tions give the exact cinemeto
from Tannhauser
kited with religious and Silent Xight
f etz )
5993 ; Christmas
/Noel (Adam), V
are fair, however. ) Perpetuu, Hopak (Moussorgsky) (Pia Light Cavalry Overture (Vo middle section), V 21251; bach) (Use gallop section Nos. 5 and 6 (Brahms (Herold), V 50006; Fire 4 ( Obviously useful for fires,
MYSTERIOUS: (Very ufse for suspense, night action, Cinquantaine (Saxophone— 19771; Funeral March O
ion picture houses use few standard composite mood. The following obile (Strauss), V 4127; Rachmaninoff), V 1161; ppe) (Varied moods — use heus im Unterwelt (OffenJ 35881 ; Hungarian | V 1296; Zampa ic from Walkure
Wagn tcjo), V 9006.
ul for many purposes, tsnse indoor scenes, etc. Wiedoeft) (very effective A Marionette (Gounod
6639, B 4096; Scheherezade (Part 1) (Rimsky-Korsakov), from Album M 23, V 6738; First Movement from Unfinished Symphony ( Schubert ) , from Album M 16, V 6663, from Album 12, B 50150; Danse Macabre (SaintSaens ) , V 6505, B 50089.
SERIOUS: (This covers a multitude of moods. Can be used for quiet scenes, scenery, night scenes, tragic occurrences, death scenes and similar mournful events.) Adagio (Bach) (Cello-Casals), V 6635; Ah, Sweet Mystery Of Life! (Herbert), V 9145; Andante Cantabile (Tchaikovsky), V 6634, B 50100; Tod und Verklarung (Strauss, R.), V 9402-4; Andante from New World Symphony (Dvorak), from Album M-l, V 6565-0; Andante from Fifth Symphony (Beethoven), Album M-5, V 9029-32; Pathetique Symphony (Tchaikovsky), Album M-4, V 9050-4.
RUNNING OR FALLING WATERS: (This is an old favorite. Most of the music is pleasant but commonplace.) The Swan (Saint-Saens), V 801; At The Brook (Boisdeffre), V 801; Beautiful Ohio, V 20973; Aloha Oe (ViolinKreisler), V 1115; By ^e Waters Of Minnetonka (Lieurance) (Flute due^ ^ky pretty ) , V 21972: Fountains Of Rome (Respigl^^jJ 26-7; Morning — Peer Gynl Suite (Grieg), V 35793J ■
SENTIMENTAL: ijfl flflKusands of them, of
course. Any movie theme H will do.) At Dawning (Cadman), V 745, B 15i(fl An The Land Of The Sky Blue Water (Cadman), "J| |; Oh, Promise Me (de
Koven), V 1295; Because Me, If All L10256; Dal Themes frd
elot), V 20663; Believe
21447; B
V 20037;
ose Marie
ng ( Woodford-Finden ), V
aga^
ann) ,
Song, V 1402; Kiss Me m, V UOp^Cpzffio Undo, V 19329; O Sole Mio, V AngeT^^Serenade, V 8033; Pagan Love Song, ^jpfjkane, V 21000; The Merry Widow, V 19532; WLgClock In The Morning, V 21599.
MING MARCHES: Midsummer Might's Dream
^fcndelssohn) and Lohengrin (Wagner) (Organ),
Bfe"P And Circumstance (Elgar), \ 9016.
iSHllONED DANCES: Irish Reels And Jigs, V
TO193, 19964, C 33427f; Virginia Reels, V
WDances, V 19997, 20001, 20294, 19909, etc.;
W^s: Blue Danube, V6584; Emperor, V 35919;
Hornpipe. C 33426f.
<)ERMISTIC MUSIC: An American In Paris
rSjjtwM r&V 25yfry4; Rhapsody In 6/«e_JGershwin*Giof<J). J ^£.9.^Piwi.fic 2J! iHdneggeri
poem), S B6; Preludes 1, 2 and 3 50107D; M We (Ravel), C G67785D.
OUS: German low cojm t^tin
jj^V2&l0kmdsorKl>risoners Soil (|0r
mber, V 1978™ Among MjM Wn
qr-Spangled Banner andj
|yi-«j Bugle Callsjm
■LVery daim^M
H: PanjL^k
Lullaby from Jocel)
Wm1/ Turkisi |C(Piano-Ra W'lii: Chanson trabe and Chansuff-jtrr Korsakov i ( V iolin-Kreisle: i \ iolin-Prihoda), B 25020 i (recor
\ 12480; Hat psiihon Don Juan i\lo/aili. \ \ \<>'> :^lird S, pan i I jjl8!>; 1773~
^^^l~>; American Indian, Hoii Chant, V 20043
An enumeration such
[Continued