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He's making Movies the popular way with ...
CINEKODAK K
by far the ntost widely used of all 16 mm. cameras
UNUSUALLY competent in every phase of movie making — that's the "K." Most movie makers prefer it because it makes all the shots they want. Indoors . . . outdoors . . . night and day. . . Kodacolor, too.
Yet, despite its competency, the "K" is not complicated. Its finger-tip focusing scale makes good movies certain. A built-in exposure guide, permanently attached winding crank, half-speed device, two finders (waist-height and eyelevel), and an automatic footage indicator further simplify operation. Supplied with an/.3.5 or/.1.9 lens; six interchangeable accessory lenses make even the more advanced shots an easy matter.
Your dealer will gladly show you Cine-Kodak K. Cost, complete with carrying case, $112.50 with /.3.5 lens; $152.50 with /.l. 9 lens. Eastman Kodak Company, Rochester, New York.
RAV
THE NEW RANGE OF KODACOLOR MOVIES WITH THE "K
CINE-KODAK K/.1.9, when loaded with Kodacolor Film and fitted with a Kodacolor Adjustable Filter, makes movies in all the colors of nature even on dull days or in the shade — and also indoors whenKodaflector supplies the light and a Photoflood Ratio Diaphragm Cap (free on request) is slipped over the Kodacolor Filter. The unique "alligator jaw" diaphragm of I he Filter uniformly masks the green, blue, and red filter bands. Wide open, it admits 75% more light than was heretofore possible. Yet it can be stopped down to compensate for the most brillian 1 sunlight. Kodacolor Adjustable Filter is priced at $12; the film at $4.75 for the 50-foot roll, $9 for the 100-foot roll.
If it isn't an Eastman, it isn't a Kodak