Movie Makers (Jan-Dec 1934)

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No wonder wise movie makers insist on Cine-Kodak Film/ To get the utmost from every seene, use the Cine-Kodak Film that's ''tailor-made'''' to jit. For whatever picture you uant to ''shoot'" there's an Eastman Film that's scientifically right — and all produce sparkling-clear movies, even ichen they are projected on a screen with an area many thousand times that oj thejilm image. The combination of these splendid films and the exclusive Eastman method of processing insures home movies of the highest quality. 16 mm. CineKodak Film It salvages the poor shots — glorifies the good ones llOT only does Cine-Kodak Film give you greater filming latitude, but, in addition, Eastman's corrective processing will compensate to an amazing degree for possible exposure errors. You may be sure of satisfactory movies even when you operate your camera one or two "stops" from the correct diaphragm opening. The strip pictures at the left, enlarged from Cine-Kodak "Pan" Film, tell the story better than words. Two rolls of film were deliberately overexposed from /.5.6 to /.1.9 and underexposed from /.U to/.16. The left roll received ordinary processing which includes no compensation for exposure errors. The right roll was processed the exclusive Eastman way with an "electric eye'* that automatically adjusts the re-exposure time required by the reversal method, thus correcting inaccuracies in. original exposure. Picture Insurance That Pays Dividends The correct exposure was /.8. Note that, even overexposed at /.1.9 or underexposed at /.16, the Eastman-processed film Mould still screen satisfactorily. This, of course, does not mean that you can ignore lighting conditions with Cine-Kodak Film. Had the light been correct for/. 16 and the camera operated at /.1.9, or vice versa, nothing would save the pictures. But it does mean that Cine-Kodak Film, plus Eastman processing, will give added snap and sparkle to your correctly shot pictures. . .may save you many valuable feet of film that were hastily and imperfectly exposed. No wonder smart movie makers always say to their dealers, "Cine-Kodak Film, please!" EASTMAN KODAK COMPANY ROCHESTER, NEW YORK ACTUAL SIZE * S s*ft*rn^ Cine-Kodak Super-sensitive "Pan" Film, 16 mm. For outdoor shots when the light is poor, and lor ill indoor movies. 100-foot roll $7.50, 50.fool roll, $4. Cine-K»<; JKodacol-V . dull <^>' ^ 'nd jo,. 50'«'"' ' '*■"': Cine-Kodak Eight Safety Film, 16 L