Movie Makers (Jan-Dec 1947)

MOVIE MAKERS up his camera on one side of the room and shoot a one position long shot of the wife, as she walks over to the doorway and embraces her husband. But let us consider the scene from the wife's point of view: Medium shot. The wife is matter of factly arranging some blossoms on a living room console. Medium shot. The front door opens slowly, and the husband steps into the room. Semi-closeup. The wife turns abruptly toward the camera, and her first expression of surprise fades to wide eyed joy. Dolly shot. Noiv line up your camera on the husband, as he stands in the doorway, and truck sloivly across the room from the wife's original position to a semi-closeup of the husband, standing with his arms outstretched to cmbrace her. Closeup. Cut to a "two shot"' of the wife's smiling face, as her arms encircle her husband. To be sure, this is an elementary use of the subjective camera; but even such a simple application makes for a more appealing film. Imaginative filmers will undoubtedly see countless possibilities for "stunt" films, 0. Henry "twists" and startling effects in this camera technique, but its primary value for the amateur will be to humanize his family records and photoplays. To see what a personable actor the camera can be, when given half a chance, we suggest that you visit your local theatre when Lady in the Lake is on view. Mr. Montgomery has carried off his "experiment perilous" with great ingenuity, and Lady in the Lake can be heartily recommended for its novelty and advanced cinematics. Controlling color [Continued from page 18] will satisfactorily represent colored subjects as they appear to the eye, it is necessary to balance the relative color sensitivity of these films to conform to the color characteristics of the light that will illuminate the subject. Color film manufacturers have selected the average, year round color temperature of Washington. D. C, noon sunlight as a basis of standard sunlight quality. Exterior type color film emulsions are usually balanced according to this standard of measurement. Without taking into consideration the effect of blue sky or ultraviolet content, the Washington mean noon time sunlight is rated at about 5400° K. Normally, in shooting color outdoors, a certain amount of light falling on your subject is blue sky light, which raises the effective color temperature considerably. The mixture of direct sunlight and blue sky, which normally prevail during the greater part of sun 31 MOVIE-MITE Write for Interesting Folder "It Makes Sense" 16mm Sound-on-Film Projector Now Available at Low Cost PORTABLE— Weighs only 27 Vi pounds complete. Single case contains: Movie-Mite 16 mm. sound projector, desk top screen, speaker, cords, take-up reel . . . and still has ample space for spare lamps, etc. Extremely compact; only slightly larger than a portable typewriter; approximately 8x12x15 inches in size. Ideal for small group showings. Larger size standard screens may be used lor larger groups. STANDARD FEATURES — Plainly marked film path makes threading easy. Only one moving part need be operated in entire threading. Show can be on screen in less than three minutes. One electric plug completes all connections to projector. Cords, permanently wired to speaker, cannot be lost. Reel capacity 2000 It. Reel arms slip into accurate sockets . . . Fast power rewind . . . Adjustable tilt . . . Quickly adjusted framing device . . . Utilizes a single, inexpensive standard projection lamp for both picture and sound projection. No separate exciter lamp necessary . . . case of durable plywood . . . Leatherette covered . . . Universal A.C. or D.C. 105-120 volt operation ... no converter necessary. Mechanism cushioned on live rubber mounts for smooth, quiet operation . . . entire unit made of best quality materials and precision machined parts. See your Photographic Dealer tor demonstration and delivery information