Movie Makers (Jan-Dec 1948)

Page scan 00072 from Movie Makers

Record Details:

Title:
Movie Makers
Date:
Jan-Dec 1948
Publisher:
Amateur Cinema League, inc.
Volume:
Movie Makers (Jan-Dec 1948)
Leaf #:
00072
Language:
English
Collection:
Non-Theatrical Film
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Movie Makers, the official publication of the Amateur Cinema League, documented and championed home movies and production by local film clubs. During 27 years of publication, Movie Makers provided extensive coverage of the growth of 16mm, the availability of Hollywood films to the home, filmmaking style, amateur production, and color cinematography. -- David Pierce, 2013
Date Added:
May 30, 2024
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62 i "i I ^ < — — — ^ TlfNl [E . I K J \ i R A CM [El S A TEXTURE background, a colored clipping and a typewriter created this attractive title for Lester F. Shaal, ACL, of Providence, R. I. CROSS LIGHTING and the foreground figures gave depth to this scene from A Ski Story, by Albert E. Sigal, ACL, of Menlo Park, Calif. AN UNBROKEN story line in Case 419 was preserved by Herman Getter, of New York City, by double exposing his titles on the scenes. RICHARD STOCKTON, of Bryn Mawr, Pa., balanced this composition with strong, angular lines for his Tahitian Idyll of the Islands. SUBTITLING on the spot was achieved by George Biehl, of Teaneck, N. J., by filming this billboard for La Province de Quebec. DARK BACKGROUND and a telephoto lens focus attention on this shot from Ice-Capades, by E. M. Barnard, ACL, of Kansas City, Mo. Outstanding scenes enlarged from readers' films, presented periodically by MOVIE MAKERS A. H. MERRILL, of San Francisco, used full front lighting to enhance the golden scroll work of this Chinatown pagoda, in that California city. FUNCTIONAL framing through a latticed window is characteristic of White Gables, place study by Brian Mcintosh, of Johannesburg, South Africa. RED TILES, white walls and a blue sky create dramatic contrast in Where the Americas Meet, by Morton H. Read, of Springfield, Mass.