We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
MOVIE MAKERS
121
should not be expected to handle large screens as well as 16mm. For largescreen projection, in clubs, churches, schools, etc., 16mm. is preferable; but for home projection on screens up to 48 inches wide, 8mm. will be entirely satisfactory. And 48 inches is as wide as anyone could ask. for home movies. Robert H. Unseld Advertising Manager Bell & Howell Company Chicago
MANY FACTORS DETERMINE
. . . Many factors determine the choice between 8mm. and 16mm. movies.
The first, obviously, is film cost. If personal home movies, only, are the objective, and if the degree of crispness and the admitted screen size limitations of Eight movies are deemed adequate, the greater economy of 8mm. movie making is a powerful argument for its selection. But if the larger, more detailed screen images obtainable from 16mm. film are held to be more important than maximum film economy, then Sixteen is the logical choice.
The second most important factor in determining your choice is the camera — its cost and its ability to make your kind of movies. There is no reason why good 8mm. cameras should be markedly lower in price than 16mm. equipment of comparable quality and ability. Already somewhat handicapped as to picture size, in the interests of film economy, 8mm. movies deserve and require all possible perfection in camera optics and operation.
Good movie projection of either 8mm. or 16mm. movies likewise requires comparable equipment. The Eight projector will not need the quantity of illumination necessary to full-size enjoyment of 16mm. films because it will not be throwing its movies on the larger size screens. But it will require precision optics and sound craftsmanship throughout; hence, here too the Eight devotee should not expect or attempt to cut corners on equipment costs.
For the time being, at least, amateur sound is to be found almost exclusively within the realm of 16mm. film and projectors. . . . Many home movie makers, therefore, select 16mm. equipment both for the larger, crisper movies in which it results and for enjoyment of the growing number of sound films available for home shows.
Frank R. Knight, Jr., ACL Editor, Cine-Kodak N'ews Eastman Kodak Company Rochester, N. Y.
For these interesting and informative opinions, making possible an unprecedented discussion of the Eight or Sixteen question, Movie Makers is sincerely grateful. — The Editors.
FILM SPLICERS
mswoiv
the Smart Buy— for Home or Professional Movie Makers
At little, if any more, than the price of an ordinary splicer— you get a GRISWOLD— the best splicer money can buy— a finely construct-♦"•jgSl ed, precision instrument, with exclusive features that assure a clean, true splice on a frame line in quick time and every time. There's a GRISWOLD for every size and type of modern film— and every GRISWOLD gives years griswold model R-3 • for 16 & 8 mm of trouble-free use.
It your dealer can'f supply you, order from our distributor
NEUMADE PRODUCTS
427 WEST 42nd STREET, NEW YORK, N. Y.
GRISWOLD MACHINE WORKS
DEPT. A, 410 MAIN STREET, PORT JEFFERSON, N. Y.
Settle back in your favorite chair, grab your pencil and pad, and start checking these desirable items. Finest
service, swift delivery, helpful guidance on any of your problems. AREMAC is a paradise for stay-at-home
shopping! Remember — to buy or sell . . . AREMAC is the friendly store.
SPECIAL — Craig 16mm Projecto Editor with Master Rewinds consisting of the Craig 16mm Viewer, Senior splicer and full Master Rewinds mounted on Editing Board.
Regular $87.50
Special $69.50
BRAND NEW NATCO 16mm SOUND PROJECTOR Regular $479.00 Special $275.00
8MM MOVIE CAMERAS
8mm Keystone K8 F:3.5 $41.50
8mm Keystone K8 F:2.5 coated 52.50
8mm Revere 88 F:2.5 coated 77.50
8mm Keystone K8 F:l.9 coated 79.50
8mm Perfex Magazine F:2.5 coated 89.50
8mm Bell & Howell Sportster F:2.5 coated 102.61
8mm Revere 99 Turret F :2.8 coated 110.00
8mm Revere Magazine F :2.8 coated 127.50
8mm Bolex L8 F :2.8 with case 139.48
8mm Revere 60 Turret Mag. F :2.8 152.50
8mm Revere 60 Turret Mag. F:l.9 187.50
%emm camera co.,1,
h% I EAST 43rd STREET, NEW YORK 17, N.
8mm Bolex H8 with frame counter 282.50
8mm Bell & Howell Magazine with W F:l.9
and I </i" F :3.5 296.22
8mm Bolex H8 with frame counter and coated
Wollensak F:l,9 lens 321.55
8MM PROJECTORS
8mm Keystone R8 $ 74.50
8mm Revere Deluxe 120.00
8mm Universal P750 135.00
8mm Keystone KI08 138.50
8mm Am pro with Case 750 W 159.00
8mm DeJur 1000 Watt with Case 174.00
8mm Kodascope 8-90 with Case 175.00
Gmm Bell & Howell Projector with Case 187.50
8mm Bell & Howell Picturemaster with Case 262.00
16MM MOVIE CAMERAS 16mm Bolex DeLuxe H 16 Outfit with I" Switar F:l,4 — 15mm Yvar (wide angle) F:2.8 75mm (Telephoto) F:2.5 frame counter, complete with
case $683.34
16mm Keystone A7 F :2.5 74.50
16mm Cinklox F :2.5 coated 76.15
16mm Lektro Magazine F :3.5 with Case 89.50
16mm Keystone A7 F:l.5 107.50
16mm Kodak Magazine F:l,9 coated 175.00
16mm Bell & Howell Magazine coated F:l.9... 214.08
16MM MOVIE PROJECTORS
Keystone K 160 750 Watt $119.50
Kodascope 16-20 245.00
Bell & Howell Diplomat with Case 273.00
Ampro 750 W with Case Imperial 276.00
Bell & Howell Showmaster with Case 312.95
All prices subject to change without notice
MAIN STORE AND MAIL ORDER DEPT., 1 EAST 43rd STREET, NEW YORK 17, NEW YORK
4 STORES
WEST COAST LONG ISLAND MID-MANHATTAN
9 S4 0 Brighton Way, Beverly Hills, Calif. 249 Fulton Ave., Hempstead, Long Island 1 375 Broadway,NewYork City