Movie Makers (Jan-Dec 1948)

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158 W |f A SIMPLE background and attractive lighting concentrate attention on this closeup from a family film by Kenneth Hezzlewood, of St. Paul. SOMETHING to do, even though simple, created this pleasant portrait from Canoe Trip, by Mrs. F. B. Dow, ACL, of Washington, D. C. FOREGROUND objects lend perpective to this one third-two thirds composition from Rio in July by Robert A. Rose, ACL, of Brooklyn. FORSYTHIA and a gingham clad girl are signs of the season from Spring, Summer, Fall and Winter, by O. Goetz, ACL, of New York City. A PERFECT triangular composition enhances this summer semi-closeup from Friendly Relations, by George Mesaros, ACL, of Long Beach, N. Y. HUMAN INTEREST is implicit in this symbolic closeup of boyhood tragedy from Spring Interlude, by Mannie Lovitch, ACL, of New York City. HOLLYWOOD at home might be the title of this happy two shot from Calling Frisco, a dog film by Cyril Stevens, of Melbourne, Australia. CLOSEUPS of cooking are sure fire with any audience. Spring Fever was the film; Mahlon Sissel, ACL, of Austin, Minn., was the filmer. AN UPWARD angle identifies the bare branches of spring and accents the action of this scene from Trouf Streams Forever, by J. Halpin. Outstanding scenes enlarged from readers' films, presented periodically by MOVIE MAKERS