Movie Makers (Jan-Dec 1949)

Record Details:

Title:
Movie Makers
Date:
Jan-Dec 1949
Publisher:
Amateur Cinema League, inc.
Volume:
Movie Makers (Jan-Dec 1949)
Leaf #:
000181
Language:
English
Collection:
Non-Theatrical Film
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Movie Makers, the official publication of the Amateur Cinema League, documented and championed home movies and production by local film clubs. During 27 years of publication, Movie Makers provided extensive coverage of the growth of 16mm, the availability of Hollywood films to the home, filmmaking style, amateur production, and color cinematography. -- David Pierce, 2013
Date Added:
September 21, 2023
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MOVIE MAKERS The camera that films . . . 167 03 nhm ftam /position while sighting through a single Micromatic viewfinder! You can be in "three places at once" with Revere "26" — able to shoot three views from one position. A twirl of the revolving turret head ... a quick turn on the adjustable Micromatic view-finder — and you have the lens you want in proper position! \^ ith vour choice of normal wide angle and telephoto lenses instantly available, you'll get otherwise unobtainable views of sports events and intimate wild-life . . . candid shots of children and grown-ups in natural, unposed action, caught only when taken unawares. Yes, your movie-making will take on new thrills and pleasure when you own a Revere "26." Ask your Revere dealer to show you this camera masterpiece today! Revere Camera Company, Chicago 16. Revere "26" 16mm Magazine Turret Camera with F 2.7 Coated Lens o • instant Magazine Load • 3-Lens Revolving Turret Head • Adjustable Micromatic View-Finder • Continuous Run • Single Frame Exposure • Ratchet-Winding Key • Five Speeds, Including Slow Motion 16MM MAGAZINE TURRET CAMERA "26' I.> PURSUIT OF IIAITIMSS REVERE ADDS TO YOUR PLEASURE NORMAL VIEW— They're off! Using your regular F 2.7 lens, you open your movie record of the race with a distant shot of the break-away. Then you follow the horses down the track until they round the turn. WIDE ANGLE — Here they are in the stretch! With your wide-angle lens snapped into position, you catch the mounting excitement of the race in an all-encompassing shot of the track and cheering crowd in the grandstand. CLOSE-UP — It's neck and neck! Swinging the 3-inch telephoto lens into action puts you practically in the judges' laps. From your seat high in the stands, you get your own photo-finish close-up as the winners streak under the wire.