Movie Makers (Jan-Dec 1953)

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47 Outstanding scenes enlarged from readers' films, presented periodically by MOVIE MAKERS HUMAN INTEREST is inherent in this well-framed closeup from This Land of Ours, by Edward F. Cross. CROSS LIGHTING enlivens a pattern by Eduardo Di Fiore, ACL of Buenos Aires, in Beautiful Lands. TWO PHOTOSPOTS create the rim lighting in this shot from Day of Independence, by J. J. Harley, FACL. COOKING IN CAMP is the succulent subject of the shot from Manitoba, by Frank E. Gunnell, FACL. TWO BIRDS in the bush are enough for Emma L. Seely, FACL, to produce a study of Mourning Doves. BACK LIGHTING enhances an island beauty from Caribbean Sky Cruise, by Lester F. Shaal, ACL. AUTHENTIC PROPS put real Western punch in From The Embers, a melodrama by Glen H. Turner, ACL. COMIC CONCEITS enliven It's A Cruel World, an ice-show extravaganza by Erma Niedermeyer, ACL. SIMPLE AND STARK is the seacoast in Granite Waters, New Hampshire study by Alan Hammer, ACL. FIVE DOLLARS will be paid by Movie Makers to the producer of the finest of the Fine Frames published on this page in any single issue. All readers are cordially invited to submit frames for reproduction here, on either 8 or 16mm. film. Submission on 8mm. should be in strips of 10 frames or more, on 16 in strips of 5 frames or more. Please mark each entry with your name and the name of the film from which it comes. Address entries to Movie Makers, 420 Lexington, N. Y. 17.