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THE CLINIC
(Continued from page 382 )
ON THE FACING PAGE
An Art Title Background to Open or
Close Your Films
Which?
T^OR some time we have been print*• ing diffused and dark background photographs suitable for art title work, but with this issue are substituting, on trial, a pastel type of background of the type frequently favored in professional productions. Which type do you like best, the photographs or the pastels? We will be guided in future selections by the vote of our readers. Your reply will be a service.
Tips
'TT is proper to use a filter in the •*■ tropics when light conditions permit, the same as anywhere else. There is an idea that the light is generally stronger in the tropics, but I have not found that to be true. The air is more or less hazy and often cloudy. I believe that exposures should generally be the same as in most of the United States in the summer time.
"In place of a tripod I use a wooden staff with a ferrule on top that screws into the camera and holds it at eye level, thus supporting the weight of the camera but allowing more freedom than a tripod.
"On a recent trip I took all except interiors at about 20 frames a second (35mm.), and I project at about 70 feet per minute. This gives sharper pictures where there is much motion, especially when pamming." — Paul Franklin Johnson.
THE LEAD TITLE OF
B. V. COVERT'S WINNING
16 MM FILM IN THE PHOTOPLAY
MAGAZINE AMATEUR CONTEST
PHOTOPLAY MAGAZINE
THE NATIONAL GUIDE TO MOTIOH PICTURES
First Rational Magazine in the Field of Amateur Movies
Are you reading PHOTOPLAY'S Amateur Movie Department? It presents new and fresh suggestions each month. It offers amateur advice from the best professional minds. It tells you interesting tricks of cinematography, how to get professional effects with your amateur equipment.
250
Pictures
on
$1.00
roll of negative
35mm
Show by: Contact Print Enlargement Projection
J~EVT
^Jn^l 1 If ^
Motion
Pictures
Snapshots
Time
Exposures
at your Dealer
WYKO
Projector Corp.
33 W. 60th St. New York, N. Y.
CAMERA
407