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What Two Hollywood
Girls Have Done for
MOVIE MIRROR
Each Other
( Continued front page 25)
frankly. “My first impression of Isabel was that she was merely another of them. But she grew on me, as she does on every¬ one. I came to realize the contradiction of her face and body with her amazing mind, to cherish her blinding loyalty.”
Frail as Isabel looks, she has a physical endurance beyond belief. When her father went blind she continued to act hilarious comedy scenes, never begging off. When illness should have kept her in bed, she dabbed on brighter lipstick, turned on her electric smile, and went out searching for jobs.
The surprising contrast between them is that Isabel actually has the more vitality, and the flaming ambition. Isabel is pro¬ foundly serious, even in her irresistible sparkling moods. She is desperately anx¬ ious for a perfect career and an ideal love, and she builds up dreams until they do materialize for her.
ON the other hand, Gertrude, who never bothers to dramatize herself, is all woman beneath her gay, fatalistic attitude. She is an intellectual comprehending the futility of sacrificing too much for a fleet¬ ing glory; she habitually steels herself against disappointments so that she will toss them off as inconsequential.
In pictures Isabel is the victim of des¬ tiny and Gertrude displays a driving de¬ termination and shrewdness. It is ironic that they are the reverse in reality.
“My ambition is all a bit mixed up,” admits the dashing Michael. She might easily have become one of the world’s lead¬ ing pianists ; but she was afraid of losing the precious, rapturous episodes of life if she concentrated utterly on a pianist’s career.
They don’t react to rebuffs the same, either. Gertrude doesn’t push herself. She’d never have any publicity if it weren’t for Isabel’s insistence. Feminine to the core, despite her hail-fellow air, she retires into her shell and plays her piano until luck changes. But Isabel is never more than momentarily discouraged. Her gallant bravery is ingrained.
Both had enough money in the begin¬ ning; both were most promising students. Gertrude, a musical prodigy, graduated from high school at fourteen and was valedictorian. She entered the University of Alabama the following year, then at¬ tended a finishing school and the Cincin¬ nati Conservatory of Music. There she was adjudged so fine a pianist that she was of¬ fered a five-year scholarship to finish her training abroad. Instead, she became in¬ terested in the theater. Soon after it was all in earnest ; her father died and she had to be the mainstay of her mother and two brothers.
Isabel was sent to an exclusive Episcopal school in St. Paul, and was president of the senior class. She went to college in Ken¬ tucky for a year, maintaining her A grades. Then she ventured on her own, into the backstage atmosphere that fas¬ cinated her.
"The Hand that holds some girl away from the altar... is her Own V
wUckdl
(Your New York Correspondent)
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