Movie mirror. (1936)

MOVIE MIRROR How Joan Ended the Crawford-Harlow Feud 15 CLOPAYS LOOK COSTLY ’.. WEAR AMAZINGLY AS MILLIONS ALREADY KNOW Solve Clean Window Shade Problem • • • Easiest Way on Record N actual tests, 3 out of 4 people seeing a new Lintone processed 15c Clop AY be¬ side a $1.50 shade only four feet away thought the Clopay was the cloth shade. That’s remarkable evidence that Clopay Lintone has a beauty usually found only in more expensive shades. Yes, all Clopay window shades have a rich appearance which belies their small price. And they wear wonderfully, as millions of women have already proved. So why pay big prices for shades, when 15c Clopays “fill the bill” completely? Made of a tough, yet pliable fibre ma¬ terial, by a special process, Clopays just don’t crack, ravel or pinhole. They hang straight, roll evenlv, wear longer than ordi¬ nary shades. And Clopay’s price is so small that you actually get 10 shades for the price of one. You can afford to replace soiled shades frequently and have windows al¬ ways attractive. So see the new Clopays now in leading 5c and 10c and neighborhood stores. Smart patterns and solid colors. Write for free color samples to: The CLOPAY Corp., 1276 York St., Cincinnati, Ohio ( Continued from page 41) gone if her mother, her brother and her best friends had been in it! It was impossible to be Joan’s friend and Jean’s, too. During one particularly heated spell, stories were obtained for publication on the vastly interesting sub¬ jects: “Why I Do Not Speak To Joan Crawford,” by Jean Harlow ; and “Why I Do Not Speak To Jean Harlow,” by Joan Crawford. The battle might have come out into the open, if Metro officials, get¬ ting wind of the approaching gale, had not stopped the publication. The stories never saw the light of day. But Joan knew Jean had given such a story. Jean knew Joan had. The gauntlet was down ! But the showdown never came. More than three years went by, and still it did not come. Hollywood as a whole may have been surprised, but not the peo¬ ple that know Joan Crawford best. The others forgot just one important thing — and that is that Joan is just about the fairest and squarest fighter for every point she has ever earned that Hollywood is likely ever to know ! AT the time Jean came on the M-G-M ■ lot, Joan, the queen, could have made things difficult for the girl not yet estab¬ lished, the girl whose position was made even more uncertain by tragedies and great unhappiness in her private life be¬ yond her control. Joan, secure in her posi¬ tion, the pampered darling of a glamorous lot, could have made many demands, could have thrown innumerable stumbling blocks in the path of the star who had only one hit, “Red Headed Woman,” be¬ hind her ! Other stars have done it. There are so vastly many ways it can be done — demanding leading men who have been booked for a rival’s picture, demanding the same stories, directors, and yes, even contracts have been demanded ! But Joan Crawford isn’t that kind of fighter. I think the swellest thing I know about Joan is that her enmity is as honest as her friendship. She doesn’t know the meaning of subterfuge. Her enemies, like her friends, are her own. You can’t reach the heights Joan has achieved in this world without battling for it, but every thrust from Joan's lance has been straight from the shoulder. That is the kind of friend she is. That is the kind of enemy she is. And it is the chief reason why even the few people who aren’t devoted to her still admire and respect her achievements and what she has made of herself. If this seems like a long and detailed resume of the bitter feeling that has ex¬ isted between Jean and Joan for more than three years, it is only because it is necessary to fully understand the gener¬ ous gesture that has ended the long battle between the two swellest girls I know. That’s my justification for breaking a promise I made Joan not to reveal some¬ thing I learned accidentally. Poor Joan, always so fearful that every gallant ges¬ ture she makes will be columnized, and thus somehow spoiled for her. Poor Joan, 15* CLOPAY WINDOW SHADES 86