The Moving Picture Weekly (1920-1921)

36 THE MOVING PICTURE WEEKLY Universal Program drags em in Canadian Universal Film Co., Calgary, Alta. My Dear Mr. Kohn: — Kindly send me a revised schedule of the Century Wild Animal Comedies we shall be receiving in the near future. This request is being made as 1 feel these comedies are worthy of considerable exploitation. In view of the standard maintained in them during the past four or five, I intend in future to feature these comedies. They are positive knockouts with our patrons here. And, whilst writing, let me go on record in saying that I consider the new "Big Twelve" to be the best, and most consistent, pictures that money can buy. We ran "Loot" last Saturday to solid capacity, and had patrons waiting out in a snowstorm until ten-fifteen at night waiting to get in. Honestly, I don't know if its "Elmo the Mighty," your features, or .your comedies, that "drag 'em in" for us, but the fact remains that we do the biggest Saturday business in this city of any of the three houses with our Universal Program. Let the opposition keep their opposition programs — it's Universal for us. Sincerely yours, LEN S. BROWN, Manager Colonial Theatre, Lethbridge Alta. P. S. — And please remember I've been running Universal since the old Licensed and Independent Days. "THE DAY SHE PAID" Story by Fannie Hurst. Scenario by Hal Hoadley. Five Reels. Universal. Reviewed by MARION RUSSELL. O verlana Red as tke Critic of tke News sees it — THERE is no denying the strength of this feature. The Harry Carey offerings have been conceived on such program foundations that when a work of the calibre of "Overland Red" happens along it is entitled to the highest praise by virtue of its vividness and vitality. No matter if the theme is not entirely logical the director has so treated it that it carries a semblance of reality. The star assumes the role of a tramp here — a diflferent characterization for him, and so colorful is it drawn and executed that the figure will be long remembered. It is a story which is strong in all the necessary ingredients, and no doubt it would score even though Lynn Reynolds gave it an ordinary production. But undoubtedly he was inspired by the rich assortment of incidents and the picturesque characters, and so the picture is embellished with high lights (they look like Reynolds' own), and richly scenic backgrounds. The plot moves forward with everincreasing action, although this element is bewildering at times, because of its rapidity. Carey's tramp, in some respects, is his best contribution to the screen. He makes it a rollicking likeable figure, who accepts everything with a keen sense of humor, but who is resourceful enough to take care of himself and those who have earned his affection. The picture is well fortified with romantic moments and the humor and pathos are elements which are emphasized for their full values. Mr. Carey is supported by Harold Goodwin and Vola Vale, two players who are genuine in their interpretations. The former may be put down as one of the most capable juveniles on the screen. He is tremendously in earnest and always natural. H. H. Knibbs is the author of this different Western. An abundance of atmosphere and heart-interest of a convincing kind make this a very acceptable picture. The presentation is of a high grade, featuring manniking in a swell dress establishment, reminiscent of "Lombardi, Ltd.," but sufficiently original to register many diamatic situations. From The Billboard. Laurence Reid, Motion Picture News, Feb. 22, 1920.