The Moving Picture Weekly (1920-1921)

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glayiS of this remarkable drama 4 i I ^ HIS picture is exceptional. It marks I an epoch. The arrival of Gustav Sayferritz as a legitimate director was no more important to the stage than that of Eric Von Stroheim to motion pictures, for in "BLIND HUSBANDS" this former Griffith 'heavy' hsis written, directed and acted in, a feature that makes others shown on Broadway seem like a novel by Chambers beside a masterpiece by Sudermann or Schnitzler. ''It is a safe bet for any exhibitor, and every exhibitor should show it — or consider himself at once the manager of a second-class house." Tbese views of moimiaiii 3ed anything