The Moving Picture Weekly (1920-1921)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Cxxrl UoQmmte c^e^r^ THIS picture of a pretty little pretender who worked her way into High Society only to find it Low Society running on the high gear, Will reach the sympathies, and the risible, of pretty nearly every' body in your audiences. In the end, of course, janet Randall goes back to the man she really loves — Dan Cassidy, the motor^cycle cop — but the struggle towards honesty, away from foolish ambition, is told in a new way in new settings and the many little touches added by intelli' gent direction make this very modern drama delightful entertainment. In it Edith Roberts shines as she shone in "Lasca" — and Forest Stanley and David Butler give her unexception' able support. Show 'THE TRIFLERS"— you'll like it through and through. CdithQobGrt? Dovid Dutbp III 0 II mm il