The Moving Picture Weekly (1920-1921)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

presented by QaA ^emmle r^rfng^ licr5eduty her Fii'e to tlosc QsA Hctures d>6ai' md No ^orn^ — . ^ ^ ASCA" gave this striking young 1. star her chance — that golden romance of the old Rio Grande, made still more wondrous by Norman Dawn's exquisite camera-work. Then came "The Adorable Savage," with South Sea island backgrounds like some famous painting. And now — a still more gorgeous, still more appealing love-drama of hot-headed youth, flaming and blazing with the color and passion of outraged Spanish blood — "THE FIRE CAT" — a spectacular production whose catastrophic ending marks Norman Dawn as the real screen-find of 1921. Only Universal, with its tremen. dous resources in playing talent and equipment, can so surely produce a winning director-player combination and give it to you at Weekly Feature prices. And keep on giving it to you fifty-two weeks in the vear. UNIVERSAL SPECIAL TRACTION6