The Moving Picture Weekly (1920-1921)

8 THE MOVING PICTURE WEEKLY Senfice Page for Gladys Walton in "AD DoUed Up" AT A GLANCE SUBJECT— "All Dolled Up." STAR— Gladys Walton. PREVIOUS HITS — "Pink Tights," "The Secret Gift," Risky Business," "Rich Girl, Poor Girl." etc. DIRECTED BY— Rollin Sturgeon. STORY BY-^ohn Colton. SCENARIO BY— A. P. Younger. SUPPORTING CAST— Florence Turner, Edward Hearn, Fred Malatesta, Richard Norton, Helen Bruneau, Ruth Royce, John Goff, Frank Norcross, Muriel Turner, Lydia Yeamans Titus, etc. LOCALE — A metropolitan city. TIME— The present. PHOTOGRAPHY BY— Alfred Gosden. THUMB NAIL THEME— The story of a little shop girl who comes into possession of some swell clothes and tries to test the truth of the adage, "Fine Feathers make fine birds.' Her vanity is crushed when she discovers her Adonis only a chauffeur in his Sunday best; but Cupid heals her wounded pride. ADVERTISING PUNCHES 1 — Gladys Walton is rapidly gaining the front rank in screen populai-ity. 2 — The story is by John Colton, an author whose work for the magazines, stage and screen have met with unqualified success. 3 — The presence in the cast of Florence Turner, formerly the most popular star of the silent drama. 4 — The novelty of the story, dealing with an Arabian Nights adventure in a large American city. 5 — The largest department store in California was used for an entire week for scenes in this story. 6 — The splendid work of Fred Malatesta in the role of a grand opera tenor. 7 — One of the liveliest fist fights ever staged for the camera with the little star outwitting a gang of society ruffians. 8 — The story demonstrates the fact that fine feathers do not always make fine birds. 9 — The strength of the supporting cast, which includes a dozen well known favorites. 10 — The fine direction of Rollin Sturgeon and the artistic photography of Alfred Gosden, CAST Maggie Quick Gladys Walton Jas. Montgomery Johnson .Ed. Hearn Percy Prack Richard Norton Eva Bundy Florence Turner The Widow Helen Bruneau Amilo Rodolpho Fred Malatesta Mile. Scarpa Ruth Royce Eddie Bowman John Goff Mr. Shankley Frank Norcross Mme. De Jercasse, Muriel Godfrey Turner Landlady Lydia Yeamans Titus jy|AGGIE QUICK is employed as a ten a week cash girl at TufFel & Bullets' smart shop. Eva Bundy, a spinster, is heiress to millions, and has a nodding acquaintance with the bright little shop girl. Eva meets and falls desperately in love with Rodolpho, a tenor. He gives her a string of pearls, supposedly an heirloom, but in reality purchased at a pawn shop. Miss Bundy goes to Tuffel and Bullets, and selectes the most giddy apparel obtainable foi Ler trousseau. She has promised to marry Rodolpho. As Miss Bundy shops, a pickpocket slips in behind her and attempts to steal her string of pearls. Maggie Quick sees her, jumps from her cash* ier's desk and saves the pearls for Miss Bundy. Mile. Scarpa, a prima donna, jealous and angry over Rodolpho's switch in affections, rifles his tnink and secures evidence of the fact that he has in Italy a wife and six children. Vindictively she goes to the editor of a scandal sheet and 'lays the evidence before him. The editor sends for Rodolpho and convinces him that there are easie*ways of securing Miss Bundy's money than thm a bigamous marriage. If Miss Bundy were caught in a compromising position she would gladly pay any amount for secrecy. Rodolpho sees the possibilities of the scheme, and invites Eva to a romantic little dinner. On the street one evening after work a floor-walker in the store attempts to force his unwelcome attentions on her. Maggie grabs his hat and throws it upon a lamp post. She makes her escape thru the traffic, and as a young man of aristocratic appearance, who has been watching the occurrence, opens the door of his car as a haven of safety, Maggie jumps in. The boy has fallen in love with Maggie at sight, and Maggie agrees to meet him at a fashionable hotel the following night. In the meantime Mile. Scarpa has gone to Miss Bundy with the evidencs of Rodolpho's infidelity. Miss Bundy, heart-broken, sends the trunkful of beautiful clothes she has purchased to Maggie, feeling that her romance is shattered and she will have no farther use for them. Maggie meets the young man at the hotel. She believes him to be an aristocrat, but in reality he is Miss Bundy's chauffeur. After dinner they ride out into the country. They get out of the car and sit on a bench. Jim confesses that he is only a chauffeur. Maggie is elated, kisses him and runs away from him. A motor car comes around a sharp turn and knocks her unconscious, and Jim finds in the pocket of her coat the address of the hoadhouse where Rodolpho and the editor are waiting for Miss Bundy. Jim takes Maggie there and leaves her at the house. Jim, suspecting and suspicious, has hung around the exterior of the house. As he sees the flash in the window of the camera planted in the room by Rodolpho he is convinced that something is wTong and goes for help. After the flashlight is taken Rodolpho discovers that the person Is not Miss Bundy. The editor's assistant, who has previously attempted to make advances to Maggie, says that he will make the girl talk. Rodolpho leaves, and the assistant locks the door. He attempts to embrace Maggie, and the battle is on. Jim rescues her with the aid of the poHce. Later, Jim and Maggie go to Miss Bundy and explain the plot to secure her money. She decides to take the money she saved, adopt the two youngsters and spend it on them. ADVERTISING DISPLAY LINES She was an heiress. She thought he was a orince. That's the flying start of "ALL DOLLED UP" that crosses the line for a whirlwind finish. Romance in a department store is usuallv just a remnant at the bargain counter of love. The little shop girl found it at the road-house. See "ALL DOLLED UP."