The Moving Picture Weekly (1916-1917)

-THE MOVING PICTURE WEEKLY MUSIC FOR "THE MAINSPRING"— WEEK OF NOVEMBER 27 Specially selected and compiled by M. Winkler. "Heart Throbs," Reverie, by Arnold, is the Theme. REEL I. 1. "Flower Song," by Barnard, until "Ashmore meets an old friend." 2. "Melody," by Kretschmer, until "Jesse Craven who dominated," etc. 3. "Sieste," by Laurense, until "Specialists arrire for a consultation." 4. "Dramatic Tension," by Winkler, until end. REEL II. 5. "Fantasia," by Bach, until "If you are one of the reporters," etc. 6. "Berceuse," by Jaemefelt, until "Ashmore and Larry Craven," etc. 7. "Caprice," by Ascher. RBEL III. 8. "In Cupid's Net," by Armand, until "You're a fine dummy," etc. 9. "Dramatic Tension No. 1," by Reissiger, until "Ashmore directs Mr. Craven's affairs," etc. 10. "Prelude," by Bizet, until "The yachting trip." 11. Aero Travelers," Waltz, by Weiss, until "Tying up for the night." 12. "Theme," until end. REEL IV. 13. "After Sunset," by Pryor, until "The storm." 14. "Furioso No. 2," by Lake, until "At break of day." 15. "Dawn," by Kate Vannah, until "The stock market opens." 16. "Olympia," Overture, by . Ascher, until end. REEL V. 17. "Yelva," Overture, by Reissiger, until "Three o'clock." 18. Continue pp., until "I got him." 19. "Venetia," by Tobani, until Mr. Lawrence Ashmore," etc. 20. "Theme," until end. BIG U— "The Mother Call" 1. "Heart Throbs," Reverie, by Arnold. 2. "Among the Roses," Idyl, by Lake, until end. L-KO— "Tattle Tale Alice" 1. "Baby Sweetheart," by Corri. 2. "Sparklets," Intermezzo, by Langey, until end. BISON— "The Greater Power" (Two Reels) 1. "Adoration," by Barnard, until "The retired sheriff," etc. 2. "Esperanza," by Johnstone, until "Election Day." 3. "Yelva," Overture, by Reissiger, until "The new sheriff." "Es War Einmal," by Mahl. REEL II. 5. Continue "No. 4," with "Scene: Interior Saloon." 6. "Folic Extase," by Milok, until "I promised your mother," etc. 7. "Heloise," Intermezzo, by Langey, until "The trial." 8. "Berceuse," by Delacour, until end. NESTOR— "The White Turkey" (Comedy) 1. "Love Me At Twilight," (Popular). 2. "Goodby. Good Luck," (Popular). GOLD SEAL— "Should She Have Told7....(3 Reels) I. "New Era," Overture, by Heed, until "Two months later." 2. "Martinique," Intermezzo, by Loraine, until "As the hours pass." 3. "Frozen Bill," Rag, by Losey, until "And then." 4. "Dramatic Tension," by Ascher, until "Police chasing burglars." 5. "Hurry No. 4," by Lake, REEL II. 6. "Furioso No. 2," by Lake, to action, until "The District Attorney," etc. 7. "L 'Adieu," by Fararger, until "John Randall, a young lawyer." 8. "Lunita," Intermezzo, by Loraine, until "Eight years pass." 9. "Tendresse," by Langey, until "Interior of room." 10. "Dramatic Adagio," by Funck. REEL IL II. "Tale of Two Hearts," by Roberts, until "That night." 12. "Pizzicato No. 14," by Lake, until "Gee, mother, it ain't square," etc. 13. "Dramatic Andante," by E. Ascher, until "The fight." 14. "Allegro Agitato," by Becker, until "After the fight." 15. "Pathetic Andante," by Berger. LAEMLE— "The Last of the Morgans" (2 Reels) REEL I. 1. "Southern R verie," by Bendix, until "The wife of long ago." 2. "Where My Love Lies Dreaming," by Foster, until "The room that is fragrant," etc. 3. "Memories," by Kuessner, until "If we could find," etc. 4. "Dramatic Tetision No. 1," by Reissiger, until "Prospective purchasers." 5. "Last Spring," by Grieg, until "A month later." 6. "In Lovers' Lane," by Pryor. REEL IL 7. Continue "In Lovers' Lane," until "Homeless and dazed," etc. 8. "Pathetic Andante," by Berger, until "The local real estate agent," etc. 9. ^Dramatic Adagio, by Funck, until "A few days later." 10. "Adoration," by Barnard, until "And in the evening," etc. 11. "My Old Kentucky Home," Song, by Foster. L-KO— "Eat and Grow Hungry" (Comedy) 1. "Plenty o' Pepper," (Popular). 2. "You Bet," Trot, (Popular). VICTOR— "Just Her Luck"...._ (Two Reels) 1. "Harmony of Love Romance" by Brooks, until "Morning." 2. "After Sunset," by Pryor, until "A week later." 3. "Love Song," by Puemer, until "Just her luck." 4. "Dramatic Love Theme," by Loraine. REEL II. 5. Continue "No. 4," until "Next morning." 6. "Gretchen," Intermezzo, by Martin, until "I was dressing," etc. 7. "In Cupid's Net," by Armand, until "At the hospital." 8. "L 'Amour Du Papillon," by Henneberg. IMP— "The Mansard Mystery" (Two Reels) 1. "Berceuse," by Delacour, until "Count des Boutelis," etc. 2. "Caprice," by Ascher, until "Scene: Telephoning." 3. "Dramatic Tension No. 2," by Reissiger. REEL IL 4. Continue "No. 3," until "The police must be notified," etc. 5. "Allegro," by Bach, until "Stop that man." 6. "Agitato No. 39," by Becker, until "I was poisoned," etc. 7. "Dramatic Maestoso," by Loraine, until "It was the poison of the cobra." 8. "Adoration," by Barnard. POWERS— "Sammie Johnsin's Love Affairs" (Cart.) 1. "Love is So Fickle," by Kruseman. 2. "Folle Extase," by Milok. POWERS— "The Fascinating Model" (Comedy) 1. "All Night," by Pryor. 2. "Your Wife." "ALASKA" (Educational) "Reverie," by Arnold, is the Theme. "The Devil's Bondwoman" REEL L I. "Olympia," by Ascher, until "And then was brought forth," etc. 2. "Creepy Creep," by Tyler, until "Mason Van Horton," etc. 3. "Extase," by Ganne, until "Scene: Dancing." 4. "Harlequin One-Step," by Roberts, until "Scene: Interior of office." 5. "Alia Ballerina Valse Lenton." REEL U. 6. "Fox Trot," by Pryor, until "When the guests have departed." 7. "Theme," until "Beverly Hope, an heiress," etc. 8. "Martinique," Intermezzo, by Loraine, until "An influence that works for evil." 9. "Society One-Step," by Lake, pp., until dancing, then ff., until "Scene: Van Horton in garden." 10. "Garden of Love," Caprice, by Ascher. REEL III II. "Continue "Garden of' Love," until "The weaker nature," etc. 12. "Piano Solo," improvise to action, until "Mason entertains in honor," etc. 13. "Cupid's Caress," Valse Lente, by Roberts, until "White carnation," etc. 14. "Theme, until "That young beast," etc. 15. "Dramatic Tension," by Winkler, until "As days pass." REEL IV. 17. Continue "Heloise Intermezzo," until "A week later." 18. "Agitato," by Becker, pp. until "The run on the bank." 19. Continue "No. 18," ff., until "Evening." 20. "Berceuse," by Hjinsky, until "Van Horton was not the only one," etc. 21. Continue to action, until "Doria's dinner dance." 22. "Dramatic Tension No. 1," by Reissiger. REEL V. 23. Continue "No. 22," until "Dinner is served," etc. 24. "Dramatic Tension No. 2," by Reissiger, until "She is only another example," etc. 25. "Dron matic Maestoso," by Loraine, until "Let the others go," etc. 26. "Theme," until end.