The Moving Picture Weekly (1916-1917)

.-34 THE MOVING PICTURE WEEKLY "SIN UNATONED." Laemmle Drama. 'With Robert Leonard and Margarita Fischer. Bob is a gambler, but upon his marriage he gives it up. One night a man enters his house. He recognizes an old pal for his reckless ways, and gives the man money not to betray him to his wife. He leaves the room to get the money and his wife enters. The man catches her by the arm and kisses her. Bob returns and a fight ensues, in which Bob is victorious. "AFTER THE BALLED-UP BALL. (Contnnued from page 29) the fat lady, all return to the apartment house where they live. Phil has ' a hard time finding his door. He enters Lucille's room by mistake. Then ensues a general mix-up -vdth everybody in the wrong room. The police are called, and chase Phil to the roof. Lucille's husband follows them, shooting madly. They all run around the edge of the roof and down the fire escape. Phil takes a bicycle from an old man, and Lucille's husband chases him in a Ford. The chase takes them all to a pier and they end up in the water. "THE MAN WHO SAVED THE DAY." upon to do, no matter what the role he portrays. The young son of Nippon encountered his first difficulty recently when the Gold Seal picture, The Great Torpedo Secret," in which Herbert Rawlinson plays the feature role, he found he would have to dance to syncopated music. Immediately he set out for Rawlinson's dressing-room and appealed to him to teach him "how to rag." He could not have asked for a more adept instructor, for the mayor of Universal City is noted in the film colony for his terpsichorean accomplishments. So Frank learned quickly, and later surprised the director by the excellent manner in which he gave the required exhibition of "ragging" when the scenes were made. As proof that the Orient has come to the Occident, one of Tokanaga's friends reported to Rawlinson a few days ago that the young Japanese has turned instructor himself. NEVA GERBER HAS NICE DRESSING-ROOM. (Continued from page 29) ment. Ethel then thinks that John has shown the white feather, and when he calls to see her, she denies herself to him. He is much hurt but accepts her decision. He tries in every way to get to the front, and at last succeeds in being sent as a war correspondent. One day liis heroism is instrumental in saving the Union army from defeat. In writing the story for his paper, he gives the credit for his brave deed to Anson, for Ethel's sake, so that she may be proud of her lover. After the return of the regiment, at the end of the war, Anson is received as a hero by his town. Ethel worships his courage, and is engaged to him. Anson at last finds it impossible to accept any longer the praise which he has not earned. He confesses that it was John and not himself who saved the regiment from disaster. John is then declared the real hero, and marries Ethel. "THAT FASCINATING RAGTIME." pRANK TOGANAKA, a young Japanese who has been a member of the Universal forces for the past two years, is nothing, if not versatile. Comedy or tragedy roles are the same to him. He does what he is called / ^EVA GERBER, playing opposite Herbert Rawlinson in "The Great Torpedo Secret," is the envy of all her fellow Universalites because of the fact that she has the most attractive dressing room on the lot. The room is tinted pale blue, several handsome rugs cover the floor, two pretty statuettes adorn her dresser and several paintings which have been presented to Miss Gerber by admirers hang upon the walls. A Japanese table, which recently was given to her by a naval officer, stands in the centre of her dressingroom and upon it is a dainty tea set decorated in blue and white, and on cold afternoons after the day's work is done the petite actress has a number of her co-workers visit her for a little tea party. umvEPm NOW Every Week! Popular demand from fans. Exhibitors and Exchange men alike has compelled the release of the popular one-reel Universal Screen Magazine EVERY WEEK, instead of every other week as originally planned. If you want a genuine one-reel feature; if you want to please every fan in your neighborhood; if you want a feature that will appeal to every man, woman and child, book the Universal Screen Magazine. ON THE REGULAR UNIVERSAL PROGRAM OR CAN BE BOOKED SEPARATELY. If you book this popular feature you must expect to pay a slight advance to cover the cost of individual booking. But it is worth it. Book through your enarest Universal Exchange, or UNIVERSAL FILM MFG. CO. CARL LAEMMLE, President "The Largest Film Manufacturing Concern in the Universe" 1600 BROADWAY NEW YOBK