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-THE MOVING PICTURE WEEKLY
There is no Mary in the L-Ko Kompany so Dan Russell has adopted the lamb.
DAN RUSSELL ADOPTS LAMB.
AN RUSSELL is emulating Maud Muller with the greatest success in this picture. Ever since he shaved off his mustache for "Ring Rivals," Dan has been working in this innocuous guise, and he says that it has changed his disposition completely. Gone is his aggressive Hibernianism. A gentle, lovable, sweetness has taken its place, and you can see by the expression of the lamb that the timid creature has not the least fear of the one-time "Irish Terror." About the only relic of his nationality is his insistence that the feather in his Simple Simon cap shall be of a pure peagreen.
It is the two Smiths, Noel and Dick, who are responsible for the chance in Dan. They have insisted between them in turning him into a wingless, haloed angel, and as they have the entire direction of the company of which he is the ornament and the delight, he has been forced to leave his character in their hands. It will be curious to see whether his screen admirers will appreciate the change in him.
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"I have played almost every type of human that there is," says Dan, "but I hardly expected, at my time of life, to return to the 'down on the old farm' sort of boy. However, it's all in the day's work, as the huntsman said when the lion ate him."
MOTHER OF FOUR LOVES THE
MOVING PICTURE WEEKLY.
frr|]RS. EDNA REMMELE is the llW l| mother of these two sunny youngsters, who by the way, are twin girls, and were bom a year ago — and two other children. Their home is in Adrian, Michigan. In spite of the fact that her four merry-makers keep her time well occupied, she never overlooks the Moving Picture Weekly, to which she is a subscriber. She reads the book thoroughly from cover to cover, and does not fail from time to time to write a commendatory note of her interest in the magazine. In fact, she says that it adds to the joy of living. She is a great movie fan, too, and is teaching her children to follow in her footsteps.
HERE ARE THE
Nora Clarice and Xeia CIco Rtiniiilc, one-year-old twin children of a Moving Picture Weekly subscriber. VOICES ON THE WIRE."
mHE company which is producing the mystery serial, "The Voice on the Wire" is working so hard at it, that they decided the other day to have a permanent monument of their industry. So they all lined up before the camera, and here is the result. Stuart Paton, the director, sits in the middle, almost hidden behind his goggles. Neva Gerber is at his left, and Ben Wilson at his right. Directly behind his chair are Joe Gi
rai-d, Francis MacDonald and Howard Crampton, who have important roles in the serial, and grouped around them are the various police officers, rogues and victims whose adventures make up the thrilling story. Last, but not least, are the two cameramen, and the members of the orchestra, who provide "shiwery" music for the maneuvers of the disembodied hand which performs all the mysterious crimes which make this a unique serial.
The entire company of the serial, "The Voice on the Wire," lined up for the camera with Stuart Paton seated in the centre and Ben Wilson and Neva Gerber on either side.