The Moving Picture Weekly (1916-1917)

40 THE MOVING PICTURE WEEKLY lUE: m MUSIC FOR "MR. DOLAN OF NEW This picture does not suggest any Theme. 1. "Sparklets," by Puerner, until "The fight. 2. Short Agitato to action, until "Twenty-four hours from Paris." 3. "Pastel, Menuet," by Paradis, until "Prince Frederick of Valsburg." 4. "A La Bien Ohnce," by Schuett, until "Count Conrad decides." 5. "Esperanza," by Johnstone, until "Jimmy Dolan had been," etc. 6. "La Rose," Intermezzo, by Ascher, until "Prince Frederick has a number." 7. "Souvenir," by Drdla, until "Dugan, the fight promoter." 8. "Fair Vassar," by Tobani, until "Say, did you hear that one?" 9. "Souvenir of the Ball," Intermezzo, by Boccalari, until "So the Ethiopian," etc. 10. "Floiver Song," by Barnard, until "Prince Frederick does a little road work." 11. "Galop," to action, until "Has Prince Frederick been here?" 12. "Aragonaise" from "Le Cid," by Massent, until "You want to take it easy." 13. "Sieste," by Laurens, until "A ball in honor of the Prince." 14. "Brunette," by Kretschmer, "Anybody see you come in?" 15. "Moderato Agitato," by Becker, until "This guy is going," etc. 16. "Caprice," by Ascher, until "Dancing scene." 17. "One Step," to action, until "You're going to hear a lot," etc. 18. "Berceuse," by Delacour, until "This is Prince Frederick." 19. "Extase," by Ganne, until "Proclamation." 20. "Allegro," by Bach, until "Again the welterweight title," etc. 21. "La Kesonian," March, by Lake, until "It's his royal, notes." 21. "Menuet Vif," by Paradis, until end. GOLD SEAL— "Hair-Trigger Burke" (Three-Reels) 1. "Western Allegro," by Winkler, until "Interior of cabin." 2. "Fair Vassar," by Tobani, until "My kid he thinks," etc. 3. "Dramatic Andante," by Ascher, until "She was hard," etc. 4. Piano improvise to action, until "Life in the West." 5. "Alita," by Losey. REEL II. 6. "Prairie Flower," by MacMillen, until "Dancing scene." 7. Piano Solo, improvise, to action, until "They stop dancing." 8. "Wild Rosebud," by Tobani, until "But the kid had tasted life." 9. "A Western Episode," by Trinkaus, until end of Reel 2. REEL in. 10. "Wild Rosebud," by Tobani, until "You thief, you sold the daisy mine." 11. "Dramatic Tension," by Funck, until "I didn't want you to have this." 12. "Western Moderato," by Bach, until "That gold was stolen." 13. "Dramatic Tension No. 1," for disputes, by Ascher, (watch shots) . until end. NESTOR— "Under the Bed" (Comedy) 1. "Trombone Frolic," by Sorensen. 2. "Glitchy Jacob," by Losey, until end. VICTOR— "His Family Tree" (Comedy) 1. "Harlequin," by Roberts. "Slidus Trombonus," by Lake, until end. L-KO"Ring Rivals" (Two-Reel Comedy) 1. "Ragged Thought," by von der Mehden. 2. "Lucille Love," by Lake. REEL II. 3. "Two Thomas Cats," (popular). 4. "That Flying Rag," by Pryor, until end. REX— "Uncle John's Money" (Two Reels) 1. "Esperanza," by Johnstone, until "Entertaining Uncle John. 2. "La Rose," Intermezzo, by Ascher, until "Another day of earning." 3. "Souvenir of the Ball," by Boccalari, until "You must go and call." 4. "Solitude," by Czibulka, until end. YORK"— WEEK OF APRIL 9, 1917. REEL IL 5. "Fair Vassar" Characteristic," by Tobani, until "Uncle John in auto." 6. "Finale," from Ariele, by Bach, until "Uncle John getting up from bed." 7. "Alita," by Losey, until "The next day's financial news." 8. Continue to action, until end. BIG U— "The Desert Ghost" (Drama) 1. "Good Galop," to action, until "A stranger enters the valley." 2. "Western Moderato," by Bach, until "Dawn." 3. "Good Galop," to action, until "Hold up." 4. "Good Agitato,' to action, (watch shots) , until "You call yourself a secret agent." 5. "Causerie," by MacMillen, until "Don't forget that America," etc. 6. "Western Allegro," by Winkler, (watch shots) , until end. IMP— "Perils of the Secret -Service," No. 6, "The Signet Ring." REEL L 1. "Noctumo," by Krzyzanowski, until "In the house of many secrets." 2. "Dramatic Andante," by Ascher, until "That was always," etc. 3. "Dramatic Tension," by Funck, until "Van Zy'l, chief of the foreign secret service." 4. "Heart Secrets," by Delacour, until "Then the great war began." 5. "Dialogue," by Meyer Helmund, until end of Reel 1. 6. "Adieu," by KarganofT, until "Secret Service men enter Van Zy'l's room." 7. "Mysterioso No. 15," by Lake, until "I see you got a warning." 8. "Idyl," by Hyman, until end. BISON— "The Kidnapped Bride" (Two Reels) 1. "Fata Morgana," by Tobani, until "I found her hat." 2. "Berceuse," by Delacour, until "The next day." 3. "To Spring," by Grieg, until "Hungry kid." 4. "Allegro," by Bach, until "Kiss kid." 5. Continue or repeat to action, until "Fifteen years elapse." 6. "Serenade," by Drdla. REEL II. 7. Continue "Serenade," by Drdla, until "The next morning." 8. "Love Song," by Puerner, until "At the end of the week." 9. "Westei~n Allegro," by Winkler, until "At railroad station." 10. "Good Galop," to action, until "Let's go back." 11. Continue pp until "Half year later." 12. "Love Song," by Flegier, until end. JOKER— "The Careless Cop" (Comedv) 1. "Joker March," by Lake. 2. "Noisy Bill," by Losey, until end. REX— "Her Primitive Man" (Drama) 1. "Serenade," by Drigo, until "The fight." 2. "Agitato No. 4," by Becker, until "After the fight." 3. "Heart to Heart Melody," by Trinkaus, until end. IMP— "The Eyes in the Dark" 1. "Andante Mysterioso," by Lake, until "Scene on board of ship." 2. "A Tale of Two Hearts," by Roberts, until "Margaret Williard." 3. "Just a Gem," by Tobani, until "There is something wrong." 4. Continue ff until "Watching Eyes." 5. "Mysterioso Agitato No. 33," by Becker, (watch shots), until "The next day." 6. "Solitude," by Eilenberg, until "A night of terror." 7. "Good Mysterioso" to action, until end of Reel 1. REEL II. 8. "Agitato," by Kerssen, until "Next evening." 9. "Valse Lento," by Schuett, until "Lights out." 10. "Moclei-ato Mysterioso," by Becker, until "Lights on." 11. "Reverie," by Rissland, until "Trapped." 12. "Good Agitato" to action, until "The occult power of the East." 13. "Mysterioso Agitato," (watch shots), until "Later the ruby is restored." 14. "Flirtation," Intermezzo, by Meyer Helmund.