The Moving Picture Weekly (1916-1917)

THE MOVING PICTURE WEEKLY 41 MUSIC FOR "ETERNAL LOVE" AND UNIVERSAL PROGRAM— WEEK OF MAY 7. Amo (4-4 Lento) by Robyn, is the Theme. 1. "Intermezzo Francaise," by Hammer, until "It was market day in the village." 2. "Lunita," (Intermezzo) , by Loraine, until "Cou-Cou was not wasting." 3. "First Arabesque," (4-4 Andante con moto), by Debussy, until "What a subject," etc. 4. "Petal," (4-4 Moderate), Intermezzo, by Raymond, until "Mimi was the prettiest," etc. 5. "Reverie," (Andantino), by Debussy, until "With each new day." 6. "Theme," until "Interior of studio." 7. "Serenade," (6-8 Allegretto), by Rubinstein, until "It is true," etc. 8. "Good-by," Song, by Tosti, until "Interior of studio." 9. "A La Bien Aimee," Valse Lento, by Schuett, until "It was good to be back." 10. "Olympia," (Dramatic Overture) , by Ascher, until "Those cursed judges." 11. "Aero Travelers," Waltz, by Weiss, until "Chimay was still drowsing." 12. "Theme," until "Change of scene." 13. "Passacalle," Intermezzo, (3-4 Allegro Moderato), by Gregh, until "There is a magic in the twilight." 14. Organ improvise to action, until "Oh! the many weary days." 15. "Sieste," (Moderato), by Laurens, until "The birthplace of a Genius." 16. "Language of the Roses," Air de Ballet, by Kretschmer. pp. during exterior scenes until "Girl running out of Paul's house. " 17. "Dramatic Tension," by Winkler, until "Girl on coach." 18. "Dawn of Hope," Lento, by Casella, until "I'm an old man." 19. Continue pp., until "Paris must always have." 20. "A La Bien Aimee," Valse Lente, by Schuett, until "Girl looking at card." 21. "Heart Wounds," 4-4 Allegretto Expressico, by Grieg, until "Paris was mourning." 22. Organ improvise to action, until end of Reel IV. NESTOR— "The Lost Appetite" (Comedy) 1. "Serio Comique," by Sorensen. 2. "Canhanibalmo Rag," by Pryor, until end. GOLD SEAL— "The Grip of Love" (Three Reels) REEL L 1. "Melody," by Paderewski, until "In Tennessee." 2. "Admiration," by Jackson, until "Dad Burbridge, postmaster." 3. "Twilight Sketches," by Williams, until "As a Lark in love," etc. 4. "Douces Promesses," by Laurendeau, until end of Reel I. REEL II. 5. "Yelva Overture," by Reissiger, until "My name is Clem Babbitt." 6. "Fifth Noctumo," by Leybach, until "Boys near window." 7. "Rustling Leaves," by Sinding, until "The first day of school." 8. "Pensee," Intermezzo, by Godard, until "Boys leave school-room." 9. "Longing," Reverie, by Armand, until end of Reel II. REEL IIL 10. "Dramatic Tension," by Funck, until "We decided that you," etc. 11. "Agitato No. 4," by Becker, until "The fight." 12. Good Hurry to action, until "You're next." 13. "Prelude Du Deluge," by SaintSaens until, "Sunday afternoon." 14. "Mayflower," Overture, by Kreschmer (watch shots) until "The revenuer is for Clem." 15. "Erl King," by Schubert, until "The road to happiness." 16. Continue pp. until end. VICTOR— "Baseball Madness" (Comedy). —Reset 1. "Lakesonian March," by Lake. 2. "Noisy Bill," by Losey, until end. IMP— "The Message" (Drama) 1. "Serenade," by Widor. 2. "Souvenir," by Drdla, until end. IMP— "The Girl in the Garret" (Two Reels) REEL I. 1. "Romance," by Rubens, until "Stephens accept once," etc. 2. "Melody," by Kretschmer, until "For a small sum," etc. 3. "Amo," Melody, by Robyn, until "The next day." 4. "Admiration," by Jackson, until "And this was why," etc. 5. "Valse Lente," by Schuett, until end of Reel 1. REEL IL 6. "Melody," by Trinkaus, until "Girl running into house." 7. "Dramatic Tension," by Winkler, until "Farmer reading letter." 8. "Reverie," by Arnold, until "In the end," etc. 9. "Pastel Menuet," by Paradis, until end. BISON— "One Wild Night" (Two Reels) REEL L 1. "Le Secret," Intermezzo, by Gautier, until "Rose Seely, new mistress," etc. 2. "Esperanza," by Johnstone, until "I wonder if they are real cowboys." 3. Good Galop to action, until "Cowboys stop horses." 4. "La Rose," Intermezzo, by Ascher, until end of Reel I. REEL II. 5. "A La Ballerina," Valse Lento, by Bendix, until "I'll sneak upstairs," etc. 6. "Mysterioso," by Lake, until "Now I'll introduce," etc. 7. "Intermezzo," by Meyer-Helmund, until "The fight." 8. Good Agitato to action, until "After the fight." 9. "In Lover's Lane," by Pryor, until end. VICTOR— "Swearing Off" (Comedy) 1. "Jazz One-Step" (Popular). 2. "Trombone Sneeze," by Sorensen, until end. BIG U — "Captain Marjorie's Adventure" REEL L 1. "Lunita," Intermezzo, by Loraine, until "Indian Rustlers," etc. 2. "Morning on the Plains," by Wheelock, until "Indian Camp Scene." 3. "Ramona," Indian Intermezzo, by Lee Johnson, until "Three braves picked," etc. 4. "Mayflower," Overture, by Kreschmer, until end of Reel I. REEL II. 5. "Dramatic Tension No. 2," by Reissiger, until "Margery's kidnappers join," etc. 6. "Minnehaha," by Losey, until "Child near horses." 7. "Indian Love Theme," by Winkler, until "Battle Scene." 8. Very long battle hurry to action, until "Safety." 9. "La Grace," Intermezzo, by Bohm, until end. IMP— "The Flames of Treachery" (Drama) ^Reset 1. "Serenade," by Widor, until "Free access to all," etc. 2. "Romance," by Rubinstein, until "An eventful morning." 3. "Erotik," by Grieg, until end. JOKER— "The Man With a Package" 1. "Serio Comique," by Sorensen. 2. "Joker March," by Lake, until end. L-KO— "Uncle Tom" (Two-Reel Comedy) REEL I. 1. "Harlequin," by Roberts. 2. "Plantation Echoes," by Ross, until end of Reel I. REEL II. 3. "Southern Reverie," by Bendix. 4. "Passacalle," Allegro Intermezzo, by Gregh, until end.