The Moving Picture Weekly (1916-1917)

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-THE MOVING PICTURE WEEKLY IfTf iirrr I If you never had a rainy day in your section or a dull day in your i ^iiM..| house REPEAT BOOKINGS would y»l.^Mi|i^ I still be the most logical way of ..l^a booking BLUEBIRD Photoplays, because it is only through REPEAT BOOKINGS that you can get all ,of the profits — all of the I prestige — the cash-in-yourpocket savings that the sliding scale of charges give you. REPEAT BOOKINGS is on the same principle that the speaking stage books a play — a several days' run, so that all the people who want to see the story can do so at their convenience — it doesn't make any difference to you what plays you run — or how long they run in your house — so long as you make a clean-up. You haven't any pet theories or style of pictures, have you? It's what the people want that hits you strong, isn't it? Then take our advice, based on what hundreds of showmen are doing: Play these three BLUEBIRDS on the REPEAT IDEA. TYRONE POWER and LOIS WEBER in "The Eye of God" An unusual drama of gripping pow«r and big scenes of intense action. Written and produced by Lois Weber, producer of "Where Are My Children?" "The Hand That Rocks the Cradle," "Even As You and I," and many other great film success es. HARRY D. CAREY in "The Three Godfathers" urday Evening Post story by Peter B. Kyne. A living expression of human life that leads through every human emotion. Produced by the genius, Lois Weber, producer of "The Dumb Girl of Portici," "The Hand That Rocks the Cradle," etc A BLUEBIRD masterpiece — a chapter from the life of a girl who sold herself for a pair of shoes. A powerful story; a wonderful production. MARY MACLAREN in "Shoes Arrange for REPEAT BOOKINGS on these through your local BLUEBIRD Exchange, n BLUEBIRD Photoplays, Inc. 1600 Broadway New York