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THE MOVING PICTURE WEEKLY
43
BLUEBIRD PLAYER'S MISHAPS FORCE LAUGTER FROM STAR
Th filming of photodramas often has its humorous side, especially when an accident occurs to an actor in the middle of a scene which causes blushes were it not for a heavy coat of makeup. Such was the case a few days ago with William Stowell, featured with Dorothy Phillips in Director Joseph DeGrasse's current Bluebird production, "Triumph."
Stowell in long hair and plumed hat was wearing a costume of the Queen Elizabeth period with flowing robes. As he started majestically down the stairway used in the scene his feet became entangled in his sword and he came down head-first, rolling over and over. No sooner had he recovered from his undignified position and had succeeded in doing the scene properly when he was called upon to fight a duel with Clyde Benson, another Bluebird actor who was wearing a similar costume.
In some manner Stowell's hat br< nip twisted in the curls of his op» ponent and in withdrawing the weapon the curls disengaged themselves also, for the actor was not using a complete wig, simply having pinned the curls underneath his hat.
In the meantime Miss Phillips sat behind the camera enjoying the unexpected comedy and laughed until her sides ached, as the scenes had been divested of their dignity and had descended from the sublime to the ridiculous.
the One Best Bet of theWeek
HARRY D. CAREY in
"A TEXAS SPHINX"
Harry Carey's millions of admirers will say that is some title for a Carey picture — because with all the dash and go that they find in his work, they know he is a master of the "quiet" method of getting his big stuff over on the screen. They'll enjoy every foot of this picture. It's great and thrilling, tense and absorbing, with a walloping punch at the end. There's a stage robbery and Harry is suspected. There's a pretty love story, and for a time it seems that Harry is to lose out, but the punch climax comes with a satisfactory surprise that will bring the fans to the edges of their seats. Book through any Universal Exchange.
. ..RELEASED WEEK OF SEPTEMBER 10.
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Musical Bluebird
Setting for "MOTHER O' MINE"
Picture
Theme — "Heart Wounds" — (4-4 Allegretto Expressive) by Grieg Letter **T" Indicates— Title or Sub-Title — For Change of Music "S" Scene " " " "
Specially selected and compiled by M. Winkler
SIB-TITLES T Molly, the Jersey
Cow
T Her Baby — John
Standing
Soft Stillness and the Night
T John Had Dreams... T Then One Day He Left
T Years Pass
T He Had a Hundred Interests
T You Make Me So T An Hour Later! '.
S Mother Reading Letter
T John Was Too Busy T John Standing Enter
tains
TIME
1 Min. & 50 See.
2 Min. & 55 See.
3 Mni. & 10 Sec.
NAME OF COMPOSITIONS Theme
Min. & 50 See Min A 10 See
Min. & 30 Sec 5 Minutes
Min. & 5 Sec Min. & 20 Sec
Min. & 50 Sec Min. & 20 Sec
1 Min. & 10 Sec.
Sparklets (6-8 Moderato) by Miles
Frat. (March on College Songs) by Zamecnick
Theme
Songs D'Enfant (4-4 Andante non troppo) by Gabriel-Marie
Good Bye by Tosti
Maesmawr (Valse Lente) by Curti
Theme
Pastel Menuet (3-4 Allegro Giocoso) by Paradis
Flirtation (Valse Intermezzo) by MeyerHelmund
Theme
Dreaming (2-4 Andantino) by R. Strauss
T You Look Like a Flower
T She's My Old Nurse.
S Man Singing
T When the Last Guest, etc
S Mother Is Leaving...
T Morning
T He Decided To Be gin, etc
T To Him His Course Was Plain
T He Lived Pp To His Resolve
T Florenzio ! Florenzio ! Until the Eend....
"j Minutes
3 Min. & 5 Sec. 2 Minutes
1 Min. & 20 Sec.
6 Min. & 40 Sec.
2 Min. & 35 Sec. 2 Min. & 25 Sec
1 Min. & 10 Sec
2 Minutes
2 Min. & 15 Sec
4 Minutes
Vocal Solo (Popular Song) with Piano accompaniment
Notturno (9-8 Andante) by Grieg
Theme
Vocal Solo( Pathetic)with Piano accompaniment
La Reve (Dramatic Andante) by Goiterman
Longing (Dramatic Andante) by Bendix
Summer Night, Idyl: (3-4 Andante Expresivo) by Roberts
Capricious Anette (4-4 Allegretto Moderato) By Borch
Pathetic Andante by
Margis-Berger Theme
Whispering Flowers (Characteristic) by Blon