The Moving Picture Weekly (1918-1919)

Record Details:

Title:
The Moving Picture Weekly
Date:
1918-1919
Author:
Moving Picture Weekly Pub. Co.
Publisher:
New York, The Moving Picture Weekly
Volume:
The Moving Picture Weekly (1918-1919)
Leaf #:
0001067
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
September 21, 2023
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-THE MOVING PICTURE WEEKLY -11 An Even Dozen Dyed-in-The Wool Successes— Dorothy Phillips in "THE RISKY ROAD." An enduring success. Mae Murray in "THE BRIDE'S AWAKENING." They're still talking about this one. Mary MacLaren in "THE MODEL'S CONFESSION." The First Mary MacLaren Special Attraction— They have to step lively to beat it. Harry Carey in "HELL BENT." Wid Says: "It's a safe bet." Mae Murray in "HER BODY IN BOND." One of the most expensive and complete of Universal Special Attractions. Dorothy Phillips in "THE MORTGAGED WIFE." If you haven't played this yet, you have a sell-out coming. Priscilla Dean in ;*KISS OR KILL." This title always draws them in. Harry Carey in "THREE MOUNTED MEN." Wid says: "It registers convincingly because it's human." Dorothy Paillips in "THE TALK OF THE TOWN." "Is the kind that will make barrels of money for exhibitors." — ^Wid. Mary MacLaren in "THE VANITY POOL." Five stars make this g^'eat. Mae Murray in "DANGER, GO SLOW." Love, adventure, thrills, pathos and suspense make this a great picture. Priscilla Dean in "THE WILDCAT OF PARIS." A personal triumph and an unqualified box ofhce success. WE GUARANTEE EVERY ONE OF THESE UNIVERSAL SPECIAL ATTRACTIONS