Moving Picture World (Jan-Feb 1927)

Record Details:

Title:
Moving Picture World
Date:
Jan-Feb 1927
Publisher:
New York, Chalmers Publishing Company
Volume:
Moving Picture World (Jan-Feb 1927)
Leaf #:
000297
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Moving Picture World, founded in 1907 by J.P. Chalmers, was one of the motion picture industry's first trade papers. Published on a weekly basis in New York City, Moving Picture World informed exhibitors about films available for rental and editorialized on behalf of the growing industry (improving the quality of movies through higher filmmaking standards, not government censorship, was a frequent topic). The paper reached its height in the mid-to-late-1910s--a fact reflected in the circulation figures and the huge amount of advertising that filled every issue during the period. In the 1920s, Moving Picture World lost ground to other competing weekly trade papers -- including Variety, Exhibitor's Herald, and Motion Picture News. In 1927, Moving Picture World ceased publication when it was acquired by Martin Quigley's Exhibitor's Herald. Across the 20 year run of Moving Picture World, readers can watch the transition from short film programs to feature films and witness the transition from the dominance of Edison's Trust to the rise of the "Independent" film companies that ultimately became the Hollywood studios. Silent film historians have utilized and cited Moving Picture World more frequently than any other trade paper, and the publication still has many insights left to offer. -- Eric Hoyt, 2012/2013
Date Added:
September 21, 2023
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

JACQUES WORTH, the noted Parisian modiste, studies beauty with Cecil B. De Mille directing the “King of Kings’ ’ for P. D . C. O I GRID HOLMQUIST, the Swedish star, in Colorart’s “ Clothes Make the Woman’’ for Tiffany, cooks an excellent meal aboard the S. S. DeGrasse. Students of Beauty TiELOW , Dolores Costello in ^ “A Million Bid,” for Warner Brothers, wears an Ermine coat that looks like it. D U S T ER 1 KEATON as ‘‘The Gene r a l” for United Artists. JlfARCELINE and Alice Day, the first in M. G. M.’s “Red, White and Blue,” the latter well known in comedies, bear strong resemblance. r\OES history repeat? ^ Douglas Fairbanks, Jr., shakes hands with Francis X. Bushman, Jr., on the MetroGoldwyn-Mayer lot where they are both making pictures. pATSY RUTH. MILLER knits a sweater between shots in Warner Brothers’ “What Every Girl Knows.” but not every girl knows how to do it. TSILLJE DOVE and Raymond Bloomer in the Universal Jewel, the “Sensation Seekers,” in an artistic pose en silhouette before a window.