Moving Picture World (Jan-Feb 1927)

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February 12, 1927 • MOVING PICTURE WORLD Sauce For the Goose 477 Consistency Is a Rare Jewel ECENTLY a prominent corporation lawyer, who has no connection with the Motion Picture Industry, remarked that his casual knowledge of motion picture legislation developed what to him was a peculiar situation. “It’s a strange thing to me,” he said, “that the bulk of motion picture legislation seems to fall naturally into two classes. One section seems to aim to pull production down to the moral and intellectual standard of the average child. And the other section is devoted to excluding children, as far as practicable, from the theatre.” Of course most persons realize that the motion picture is the favorite entertainment of the children, not only because of its cheapness, but because it oilers a style of entertainment that appeals more strongly than the highly seasoned spoken drama of the day. This being the case, it is presumably intelligent to seek to hold the pictures to the level of undeveloped mentality, but since so much care is expended in keeping the pictures to this level, why so strenuously insist on barring the children, as far as possible? One way or the other the law is not functioning. Each effort to enforce an unpopular measure seems to result only in failure and to make more popular habitual and growing disrespect for the law. It really would be better for child morals were they permitted to attend the theatre without knowingly violating these laws. Contempt for minor ordinances will inevitably lead to disregard for the more important enactments. Were a deliberate effort made to encourage disregard for the statutes, the campaign could not be more successfully conducted. Why not sane legislation that can be enforced, rather than bigoted enactments that serve only to make a joke of the law? If it is possible to undermine the morals of the overwise rising generation, more harm has been done the past few weeks through the publication in the tabloids of the nasty details of the Browning case than has been wrought in thirty years of motion pictures. The pictures should not be made the scapegoat.