Moving Picture Weekly (1916)

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■ I UK Mn\ l.\». PIC1 I KK U KEKl.Y STORIES OF THE ONE REEL PHOTOPLAYS * IIMtl I IS IN». r ( <wurd>. Written h> W. W arr. <i. Sffa PfWBCad h\ Ml.n ( urti l \>l Ralph Eileen Tramp No. I Tramp N Kalph Mctomin I il.cn ScdR»» ick Milton Sim* Jack Conoll\ Ralph is I in. I discouraged when he i> the bills for the month. Eileen is also <li-vru~te<l and thinks Ralph a miserly sort of ! band. Ralph reads about the Soatl Islanders and their economical living. He tells Eileen ho is going to . them and she finally consent the plan. The next day the two are located in a tent. He goes to catch some fish and falls into the cold water. He ernes back to the tent, half-frozen, and fin.lEileen trying to light the fire. She says she is sick and he makes his » adorn herself in grass clothes, while he goes ou* to hunt. Seeing a turkey, he shoots an arrow at it. hut is chased by a farmer. who is feeding a flock of the same kind of birds. They have :i fight ami Ralph finalh the man for the bird. Two tramps have seen the roll of bills displayed by Ralph; they him and take the money. Eileen in . them into the tent, and u' them to clothe themselves in the ffMaV Ralph comes home. The sheriff ar shockeH to see people in i an attire. Eileen informs her • the book sa\ 'nen i Islands were privi hushands as The sheriff takes the ■ \ l»\i i\ nit l ll l hi \ DOG P»«er» Nnimated Cartoon Split Reel. Sammie Johnsin is reading a book about dog* He prv and dreams that adven tures happen to him. ending with a fight with a cat in which the feline has the best of it. Sammie wakes and decides that he doe* rot care about being a d*f after aR. I OS! IN mi STREETS 01 ru;i K. v Drama. Ill) I IIO.M \VS HKIIH \N ith Jan. Call and Matt Moorr. King, an Amr separated from his wifi a child is born unknown to him. Years pass. Ws. find him a BucreasfQ] pu lator on the I'.. ge. The wife, with her child, ll \ isitir., I The child is lost in one of the public parks. She is kidnapped by a child-sti aler, who. in turn, sells her to an unscrupulous Facia, who fa) the child into th< as a beggar. ound by bet lather, who, unaware of her identity, gives her a home and l>ecomes an her. Later, the mother finds her child £ laying in the gardens of her husand. She attempts to take the child away with her immediately, but the child insists that her mother first see her benefactor. The man and wife come face to face, and are reconciled. Jane lily stage-struck, and her ambition causes ner to scorn Moore, an honest young fireman, who has been appointed to duty in a vn . ville theatre. He secures her an opport it, and gr. ly \ on by a yelling gallc Jane's Ophelia cause* the gallpelt her with vegetables, so M< dashes to the stage, and by beating one young • id throwing the stageman with the "hook" into the alley, he gives Jane an opportuto proceed. Jane leaves and hide rcssing-room in tears, breaks out on the stage, and a panic is averted by the fireman. He finds Jane when all means of escape are cut off. Wrapping the girl up. he manages to reach the roof. Cured by a double lesson, Jane renounce* the stage to be the fireman's bride. What Uncle !mn id Umrlu cartoon by Hy. Mayer, drawn for t> ">ai Am maitd U shown at On *, «' r a rrmarkable burst of applaurr. The picture an <i olution from I