Moving Picture Weekly (1916)

i* 1 UK M iVKKKI.Y \ INAI'OM l-armmlr Drama. With Robert Leonard and Maricanta her. Bob ta a gambler, but upon his marriage he gives it up. One night a man enters his house. He recognizee an old pal for his reckless ways, and Eves the man money not to betray m to his wife. He leaves the room to get the money and his wife enters. The rrui her by the arm and kisses h< urns and a fight ensues, in which Bob is victorious. -AFTER I Ml KM I ED-1 I' It M.I .' (Contnnurd from page 29) the fat lady, all return to the apartnient house where they live, I'hil has a hard time finding his door. He enters Lucille's room )>y mistake. Then ensues a general mix -up with everybody in the wrong room. The police are called, and chase Phil to the roof. Lucille's husband follows them, shooting madly. They all run around the edge of the roof and down the fire escape. Phil takes a bicycle from an old man, and Lucille's hu-hand chases him in a Ford. The chase takes them all to a pier and they end up in the water. I UK M \N WHO S WED I HI D\1 r 11 \ I . |\ \ MM. R IGTIME. upon to do. no matter what the role he portrays. The young son of Nippon en. Iir.-t difficult-, r.-ccntly w\ ■ I rt Kaw: ays the feature role, he found -opated < Immediately he set out for Raw ap peals! to him to teach him 11. . oulil of I'm versa! I ny for his PBrpsichorsu fili.-hments. So I .irned qu an.l later surpn.seil I !>> the excellent in which he of "ragging" when th> •>• made. \ proof that the Orient has come Tokanaga's friends reported to Rawlinson a ft ago that the yung Japanese •urned instructor him. NEVA «.l RBI R II \ Mi I DRI SSIM \ I opposite II. rbert Rn Wrest of all her fello salites because of the fact that she has the most attruc •• room eral handsoi -:itu« ■eg and Hftrtl | paie mm, mv floor, have m < ■ • ad bang upon the walls. A Japan. • hich recently was g by a naval officer, stands in her dressing room and upon it is a dainty tea set .red m blue sad white, and on ay's work -s has a numher for a UNIVERSAL • SCREEN MAGAZINE ~ ij (Continued from page I ment. Ethel then thinks that John has shown the white feather, and when he calls to see her, she denies herself to him. He is much hurt but accepts her decision. He tries in every' *'">' to get to the front, and at last succeeds in being sent ss a war correspondent. One day his heroism is instrumental in saving the Union army from defeat. In v ing the story for his paper, he gives the credit for his brave deed to Anson, for Ethel's sake, so that she may be proud of her I01 1 After the return of the regiment, st the end of the war, Anson is received as a hero by his town. Ethel worships his courage, and is engaged to him. Anson st last finds it impossible to sccept any longer the praise which he has not earned. He confesses that it was John and not himself who saved the regiment from disaster. John is then declared the real hero, and marries Ethel. <; » £> .V pr. S'AKA, a >ounjr Jap snese who hrv !>• mber of the Universal force for the past two years, is nothing, if n or trnjredy roles are the same to him. He does what he is called NOW Every Week! Popular demand from fan*. Exhibitors and I \change nun alike has compelled ll ihe popular one-reel I'nii . n Magazin. EVER1 N I I K. instead of even other week a« originally planned II \.>u want a genuine one-reel feature; if >ou want to pi. ) Ian in f\ Mxirhood; i( roe want a feature that will appeal to man. woman and child, hook the Universal n Magazine. on I III i;i (.1 I \R I M\ I RS M PROGRAM 01 I \\ 111 BOOK! D 3EPARATBL1 If >..ii hook thi» popular feature >ou mn to pay a slight ad<an<^ • r the cost of individual booking Rut it 1 worth it through Miur in«n »t I sJverasJ Kxchan; UNIVERSAL FILM MFG. CO. t MCI I \F.MMI.». Hltll\|.W \\ rnt nvufartur t \\ \ num.