Moving Picture World (Jan-Jun 1910)

Page scan 000418 from Moving Picture World

Record Details:

Title:
Moving Picture World
Date:
Jan-Jun 1910
Publisher:
New York, Chalmers Publishing Company
Volume:
Moving Picture World (Jan-Jun 1910)
Leaf #:
000418
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",nyarc-museumofmodernar
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Moving Picture World, founded in 1907 by J.P. Chalmers, was one of the motion picture industry's first trade papers. Published on a weekly basis in New York City, Moving Picture World informed exhibitors about films available for rental and editorialized on behalf of the growing industry (improving the quality of movies through higher filmmaking standards, not government censorship, was a frequent topic). The paper reached its height in the mid-to-late-1910s--a fact reflected in the circulation figures and the huge amount of advertising that filled every issue during the period. In the 1920s, Moving Picture World lost ground to other competing weekly trade papers -- including Variety, Exhibitor's Herald, and Motion Picture News. In 1927, Moving Picture World ceased publication when it was acquired by Martin Quigley's Exhibitor's Herald. Across the 20 year run of Moving Picture World, readers can watch the transition from short film programs to feature films and witness the transition from the dominance of Edison's Trust to the rise of the "Independent" film companies that ultimately became the Hollywood studios. Silent film historians have utilized and cited Moving Picture World more frequently than any other trade paper, and the publication still has many insights left to offer. -- Eric Hoyt, 2012/2013
Date Added:
May 30, 2024
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408 THE MOVING PICTURE WORLD NESTOR FILMS THE SILVER LINING Released Wednesday, March 16, I9IO Length, 998 Feet A beautiful story magnificently acted by our own stock company in their own inimitable style, and the photography is fully up to our own high standards which is the envy and despair of our competitors. Did You Gel "On the Little Big Horn?" It was the best and most taik= ed of release in months Insist on it from your exchange, it's a feature-feature. Did you get that?— Four Color Lithographs Free "With All NESTOR FILMS NESTOR FILM CO., BAYONNE, N. J. Our Next Release THe TeilderfOOt Wednesday, Mar. 23, 1 9 1 0 This picture will undoubtedly make a big hit and appeals to us as our best yet, and one more step towards our ideal of what a picture should be. The following exchanges can furnish all our past releases Globe Film Service, Chicago, 111. Great Western Film Service, 59 Dearborn St., Chicago, 111. Laemmle Film Service, 196 Lake St., Chicago, 111. Eugene Cline, 59 Dearborn St., Chicago, 111. Royal Film Service, 225 Dearborn St., Chicago, 111. Ind. Western Film Ser., Swetland Bldg., Portland, Ore. Buckeye Film and Proj. Co., Arcade Bid?., Dayton, Ohio. Wm. H. Swanson, 200 N. Seventh St., St. Louis, Mo. Michigan Film and Supply Co., Detroit, Mich. Phila. Proj. Co.. 44 N. Ninth St.. Philadelphia, Pa. Philadelphia Film Exchange. 13 North Ninth St., Philadelphia, Pa. American Film Exchange, Pittsburg, Pa. Ind. Film Exc, 415 Ferry St., Pittsburg, Pa. Theatre Film Service, San Francisco, Cal. Consolidated Ams. Co., 28 W. Lexington St., Baltimore, Md. W. E. Greene, 228 Tremont St., Boston, Mass. Victor Film Service, Chamber of Commerce Bldg., Buffalo, N. Y. Exhibitors' Film Exchange, 138 Third Ave., New York City. Paramount Film Exchange, 61 W. Fourteenth St., New York City. Empire Film Exchange, 150 E. Fourteenth St., New York City. Crystal Palace Film, Toronto, Canada. Gaumont & Co., Toronto, Can. Texas Film Exchange, i>:iiki*. Texas. SOLE AGENT: 91 Dearborn Street CHICACO A. G. WHYTE I Madison Avenue NEW YORK