Moving Picture World (Jul-Sep 1911)

Page scan 000173 from Moving Picture World

Record Details:

Title:
Moving Picture World
Date:
Jul-Sep 1911
Publisher:
New York, Chalmers Publishing Company
Volume:
Moving Picture World (Jul-Sep 1911)
Leaf #:
000173
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",nyarc-museumofmodernar
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Moving Picture World, founded in 1907 by J.P. Chalmers, was one of the motion picture industry's first trade papers. Published on a weekly basis in New York City, Moving Picture World informed exhibitors about films available for rental and editorialized on behalf of the growing industry (improving the quality of movies through higher filmmaking standards, not government censorship, was a frequent topic). The paper reached its height in the mid-to-late-1910s--a fact reflected in the circulation figures and the huge amount of advertising that filled every issue during the period. In the 1920s, Moving Picture World lost ground to other competing weekly trade papers -- including Variety, Exhibitor's Herald, and Motion Picture News. In 1927, Moving Picture World ceased publication when it was acquired by Martin Quigley's Exhibitor's Herald. Across the 20 year run of Moving Picture World, readers can watch the transition from short film programs to feature films and witness the transition from the dominance of Edison's Trust to the rise of the "Independent" film companies that ultimately became the Hollywood studios. Silent film historians have utilized and cited Moving Picture World more frequently than any other trade paper, and the publication still has many insights left to offer. -- Eric Hoyt, 2012/2013
Date Added:
July 25, 2024
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THE MOVING PICTURE WORLD 163 G. W. Bradenburgh Cinematograph Films 233 North Eighth Street, Philadelphia, Pa. Phone, Market 334 Cable: Brad-Films, Phila. Code: A. B. C, 5th Edition After the Fall of the Eagle— Theater of Phenomenons — Eclair $6.00 A Brutal Master — Hepworth 6.00 The Child and the Fidler 5.00 A Christmas Letter 5.00 A Clown and His Dogs 5.00 A Child's Judgment 8.00 A Dog on Business 6.00 Don Carlos — Film DArt 7.00 Dwarf Detective— Last of a Dandy — C & M 8.00 The Farmer's Son — Itala 8.00 Evil Spirit in a Girl's Boarding School— Pathe H. C 8.00 Honesty's Strange Reward— Eclair 8.00 Her Mother's Fiance — Cines 8.00 It Was a Beautiful Dream— Cines 8.00 Joys of Tight Boots— Skipping Cheeses — Pathe 8.00 The Leadville Stage Holdup— Selig 8.00 Love in Quarantine — Troublesome Baby— Biograph 8.00 The Little Foundling — Messter.... 6.00 Lured by a Phantom — Nancy's Wedding Trip — Gaumont ro.oo Man in the Iron Mask— Cines. .. . 8.00 Modern Cinderella — Vita 5.00 Mysterious Luggage — Eclair ...... 7.00 Pocahontas — Than 10.00 Queen's Sentinel— Cines 8.00 The Refugee— Lux 8.00 Resuscitated — Lux 5.00 Right House But— Lubin 6.00 Roman Campaign — Cines 6.00 Stilt Walking — Nervy Thief— Pathe 6.00 Telepathic Warning— Went to See the Devil Play— Vita 5.00 A Traitor to His King— C. & M. . 6.00 Under the Seas— Melies 6.00 Voyage Around a Star— Melies. . . 7.00 When the Man in the Moon Seeks a Wife — Clarendon 8.00 Independent Film Service 23 1 North 8tH Street Philadelphia, Pa. EXHIBITORS : We have contracted for the EXCLUSIVE AMERICAN RIGHTS for a series of film productions conceded to be the GREATEST NOVELTIES EVER ATTEMPTED IN MOTION PHOTOGRAPHY, BAR NONE. Correspondence solicited from first-class houses only, as the prices of these features will be prohibitive for the smaller exhibitor. THEATRICAL 3 ARCHITECT We not only make Plans and build Theatres and Vaudeville Houses We also build MOVING F»l We have built over 60 Theatres the last 5 years which are all ORIGINAL in Construction, Design and Decorations & COMPENSARC This Machine cuts fy j/rornybtu? <3 Light -^ Mr. BillS y^Manager f If you are on a 1 1 0 or 220 volt circuit and you are using a rheostat to reduce the voltage to 35 at the arc in your lamp, you are paying for 2/3 more "juice" than you are actually using. Can you afford to waste ill this energy supplied from the line, over and above what you really need? The Fort Wayne Compensarc saves all this waste by reducing the voltage without losing any: makes a clearer,^ whiter, steadier light, and eliminates all danger of fires caused by overheated rheostats. I We have a little 22 page booklet "Compensarc vs. Rheostat" that we [want to send you. It will tell you plainly how you can make a bij Send us your name and address. saving anc you. better light. FORT WAYNE ELECTRIC WORKS of GENERAL ELECTRIC COMPANY 1408 Broadway Fort Wayne, Indiana Send TODAYfor our* FREE descriptive booklet