The Moving picture world (December 1920)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The billing alone is convincing that "THE SIN THAT WAS HIS" is the biggest photoplay of the year. There is no star like. FAVERSHAM when it comes to real drama on the screen. There is no technique required for faultless direction which HOBART HENLEY does not know. There is no author who understands his public better than FRANK L. PACKARD There is no producer better equipped than LEWIS J. SELZNICK to cater to exhibitors' needs. But no analytical examination of the billing, the details of the story, or of the "stills" can get over to you that mysterious, almost uncanny, fascination which this master production has had for every solitary individual who has seen it to date. It is well worth a trip to any city in your neighborhood to see "THE SIN THAT WAS HIS" at the usual theatre presentation_or any SELECT EXCHANGE will screen it for you.