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fit •V--^ Lr Her Fir^tin^^^ - ..,;*u ,s becoming . vep. Wanda VJ1 tos * e , to » liked ■eatre, the 3 R"r. Nation, n St ^ t n ro nagc. .ta^^M ~ 0 J 0 *f* £ UlJ , ^ ? ^\r- ^r,„„. m of w Pro du p,c (|1 asing P> cturC - Her L h y «>e a ?5 aH »er. C - J with it. A aser, ibor- Ved va, 8 ' ' , a ''We 1' ^'fn ,1 Food for Scandal, ley.—This is, a good c| popular with us.—Op | boro, Ala.—Small ^•^\ C V S ' Miss Hobbs - with Wanda ."^ » ^ t e ^ VStar and picture received by » s . with delieht. Excellent "ioo IV 1 ^o 0(f _7 a nda extra , COrn edy Hawleyl * | .'mi ui mi ^/iviui^ i^w«v*-\a our patrcl Scot's- . with delight. Excellent "lpporting c? * Book it and boost it ir- , \nce.—Han] nt. Co., Odeon th^'-c^ irdin, Mol eneral patrona^^^cN^c'^ 'Hum vva. Food icy— Thi. Please all art. — M. Cherokee, fo V .van* 3 *V,,re that the 5,. lfft* o RASS TACKS! How's that for a title? Pretty nifty, yes? And as good as it sounds! Took two stories to make one picture—both of them by the inimi- table Samuel Merwin and both published in The Saturday Evening Post. Probably you've read them—"Eva on the Ice" and "Saving Sister"—most everybody has. They tell of the ambitious activities of a super-modern young woman named Goldie. And they've been made into a photoplay that will prove a good tonic for anybody's box office. Then there's HER FACE VALUE—another Saturday Evening Post smile teaser by another famous author—Earl Derr Bigger. In maga- zine form it was called "The Girl Who Paid Dividends," but there's extra value in the new title. You won't object to THE CRY BABY as a nail puller, either, will you? Nor to THE CLING- ING VINE, a Fred Jackson story, about a girl who clung? Who's the star? Why, whom do such titles and stories fit, better than WANDA HAWLEY The Girl with the Million Dollar Smile She's genuinely human; that's why you forget yourself and laugh with her even though you've sworn you're off Life for good. She is the origi- nal, lovable blues-chaser! For clean, wholesome, rollicking fun, minus clap-trap and slap-stick, we commend you to such pictures as THE SNOB, THE HOUSE THAT JAZZ BUILT, A KISS IN TIME and other Wanda Hawley productions of the season just ending. Wherever she is, there is the irre- sistible smile which has won the heart of Main Street as well as of old Broadway. In a series of comedy-dramas obtainable only through the Realart Star Franchise