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May 13, .1922
MOVING PICTURE WORLD
195
Consensus of Published Reviews
Here are extracts from news available at press hour from publications of the industry boiled down to a sentence. They present the views of Moving Picture World (M.P.W.) ; Exhibitors' Herald (E.H.) ; Motion Picture News (N.) ; Exhibitort'
Trade Review (T.R.) ; Film Daily (F.D.).
The Crimson Challenge
{Dorothy Dalton — Paramount — 4,942 feet)
M. P. W. — What transpires under the somewhat lurid title is a consistently maintained sequence of melodramatic, exciting events, made more thrilling by the simple expedient of setting the action at a fast tempo.
N. — It will surprise a lot of people to see Dorothy Dalton playing the Bill Hart, Tom Mix type of role.
T. R. — Offers bully good entertainment.
E. H. — An old school western with a kick in
it.
F. D. — Dorothy Dalton does fine work as cowgirl in latest film. . . . Should go very well wherever they like Westerns.
The Infidel
{Katherine MacDonaJd — First National — 5,377 feet)
M. P. W. — Out-of-the-ordinary type of photoplay. The story is different from the usual run of photoplays and provides the star with an unusual role.
E. H. — Not the strongest of Miss MacDonald's recent vehicles.
T. R. — The story contains plenty of action and should satisfy any audience whose tendencies lean toward adventure.
F. D. — Better see this one first and decide for yourself.
N. — A popular, talented star, a famous author and a noted director, have contributed to making "The Infidel" one of the best pictures of recent months.
Money to Burn
{William Russell— Fox—A.Sm feet)
M. P. W. — William Russell aided by Sylvia Breamer in successful light comedy.
T. R. — A rather entertaining story that moves along in a fairly smooth way.
N.— In fact it presents a series of pleasant incidents, releasing a little romantic adventure and a bit of play with the ticker.
F. D. — An entertainment of average quality. . . . Likely to .give adequate satisfaction especially with star's admirers.
E. H. — This is a story of the stock market with a dash of humor tliat rounds it out as excellent entertainment.
Rainbow
(Alier Calhoun — Vitagraph — 5 reels) M. P. W. — Vitagraph uses familiar Pollyanna material.
N. — Alice Calhdun has sympathetic role in pleasing little story.
E. H. — Is a pleasing little story of a girl, a gold mine, a rich young man. and three funny old miners. Alice Calhoun has had stronger vehicles. Director Edward Jose, however, makes the most of the material at hand.
T. R. — Viewed merely as an artistic spectacle it commands admiration. But it must be confessed that the plot is slight.
The Woman He Married
{Anita Stctvart — First National — 6,562 Feet) M. P. W. — Proves to be somewhat better entertainment than the average.
F. D. — Good acting and direction, but story is weak and familiar.
T. R. — It is entertaining regardless of the fact that the big punch of the story depends upon the old reliable form of characters.
N. — The picture being exceptionally well directed, also furnishes the star and her splendid supporting cast an opportunity to appear to best advantage.
E. H. — A splendid production in every particular and one that will be hailed with delight by every Stewart fan.
Woman, Wake Up
{Florence Vidor — Associated Exhibitors — 6,000 Feet)
M. P. W. — Should bring excellent box-office results.
N. — A picture revealing a wealth of action, much of which is of the outdoor variety and some of which presents society interiors.
E. H. — It is rich and diversified in sets, embodies a humorous vein and has been given numerous refreshing angles.
T. R. — Skilful direction and intelligent acting combine to make this an entertaining picture, despite the fact that the central idea of the plot is decidedly ancient.
Arabian Love ,
{Barbara Bedford — Fox — 4,440 feet) M. P. W. — Desert picture full of sheiks and action.
T. R. — One of those fantastic pictures that probably will have a successful box-office appeal where the audience delights in Oriental themes and settings.
N. — The story is so familiar that one may be excused for guessing the outcome from the start. However, it keeps a fast pace, is evenly developed and glows with vitality.
E. H. — Picturesque desert story with atmosphere patterned somewhat along the line of "The Sheik."
F. D. — Another "Sheik" story, weak in substance but adequate production.
The Man Under Cover
{Herbert Rau'linsoii — UniTersal — 4,566 feet) M. P. W. — The picture has been produced without elaborateness, but has been directed with a sincerity that gets very good results.
N. — The picture is adequately staged by Tod Browning who has caught the atmosphere of the story so well that the action proceeds like ;lockwork.
F. D. — Rawlinson has interesting crook story for latest vehicle. T. R. — A very good picture of its kind.
E. H. — An unusually intcrestin.g crook play.
The Truthful Liar
{IVanda Hawley — Paramount — 5,243 Feet) M. P. W. — Well-constructed mystery story which holds the interest.
N. — Quite the best thing Miss Ffawley has done for the screen. . . . Real interesting plot that holds the attention well throughout.
F. D. — Unoriginal story keeps "The Truthful Liar" in the average class.
E. H. — A comedy star in drama. A Will Payne story juggling familiar incidents and situations into unfamiliar combinations.
T. R. — One of the best pictures that Wanda Hawley has been starred in recently.
Reckless Youth
{Elaine Ha>nmerstein — Sehnick — 5,700 feet) M. P. W. — Cosmo Hamilton's story of youth's reaction to suppression has been picturized so that the appeal is one of theme rather than action.
E. H. — A thoroughly delightful little flapper story with Selznick's most popular star as the flapper.
N. — The picture offers some zippy incident, moves along with creditable speed and is handsomely staged.
F. D. — Moralizing story makes mild offering.
T. R. — The production is beautifully photographed, its star highly popular with film devotees and exhibitors will find it worthy of attention.
The Sleepwalker
{Constance Binney — Realart — 4,530 Feet)
M. P. W. — For the most part it pursues a familiar course with now and then a humorous twist, or a melodramatic feat and, once, a real thrill.
N. — A production that is well worth while.
F. D. — An average picture that holds interest evenly and has nice romance.
E. H. — A "spotty" photoplay, good one minute, not so good the next, surprising and disappointing in turn, obvious in development but unusual in story.
Without Fear
{Pearl White—Fox— 4,406 Feet) M. P. W. — The play calls for elaborate settings, and for considerable display of wardrobe on the part of the star, and both of these features should offer good selling angles.
T. R — It furnishes the star with ample opportunities to please her devotees.
N. — It is worked out fairly well and develops some interesting moments.
F. D. — Very poor story that won't be able to hold them to the close.
The Woman's Side
{Kathcrine MacDonald — First National — 5.366 Feet)
M. P. W.— Thrills aplenty.
F. D. — About time they secured worthwhile material for star. Won't do if you cater to patrons who are discriminating.
T. R. — While this is a very interesting picture, it is rather doubtful whether it will carry sustained interest throughout, as parts of it — the love scenes — fail to register.
N. — Eliminate a few weak scenes from the picture and it would rank as one of Katherine MacDonald's strongest.
The Game Chicken
(Bebr Daiviels — Realart — 5 Reels) M. P. W. — A dashing story produced artistically.
E. H. — The beginning is good and sets a snanr^v pace that is not maintained throughout and the ending comes long after interest has
ceased.
r — Pleasing entertainment for most any ! ' "1 of patron. T. R. — Snaps along at a speedy gait.