The Moving picture world (November 1922-December 1922)

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FACE IN THE FOG ' Lionel Barrymore Seena Owen, Loweii Sherman, by Jack Boyle direc + ed by Alan Crosland \j a r a m o u n ij ^ i c t u r e ''We want to stand right up on our hind legs and tell the world that "The Face in the Fog" is one of the finest crook pictures ever produced. We fail to recall a more dramatic series of scenes. We have never looked at more artistic night photography than that presented in the almost two reels of action in a dense fog." Charles LARKIN. Motion Picture News Created hy COSMOPOLITAN PRODUCTIONS Louis Wolheim, Mary McLaren, Georj^e Nash Three CapacityWeeks on Broadway at the Rivoli, Rialto and Broadway Scheduled for one week at the Rivoli, this vivid, thrilling melodrama was so enthusiastically received that, after packing the house there it moved down to the Rialto and there repeated its success. Then another record-breaking week at the Broadway. "A Nick Carter story in a Tiffany setting" one paper called it. It's the most vital, engrossing, mystifying, tense and fascinating photoplay ever filmed. It's to the screen what "The Bat " is to the stage. "We are not going to tell you a thing about the story. It's too good to tamper with," says Harriette Underhill, in the New York Tribune. We'll tell you, however, that it is Jack Boyle's greatest "Boston Blackie" story faultlessly acted by a cast of stars, wonderfully produced, with the greatest fight ever staged and filled with action from the first reel to the final fadeout.