The Moving picture world (January 1924-February 1924)

January 26, 1924 MOVING PICTURE WORLD NEW YORK TRIBUNE, TUESDAY, JANUARY 15, 1924 Connell jrimage ly Land iss of Scotiterranean . I fill AmBiat Calvary ennell of Bd'»* the Canadian if Scotland OB rranean and a .he Holy Land, t the foot of a desire, "he his life. He he Right Rev. the Right Rev. ture Cardinal latest translasf Christ," deurate and that ginal text had no direct ref•f the transla tert two year* rdinal, "and I r of the Engliberties which the translator riginal life of not have been wrote not so but more for language that ana told cxstands for. the book dealrecognition by .irely omitted. :ognized as the to the Church, been incorintense Catho,y 2 ferocious his conversion iu. He is a reextreme rcfineand exemplifies y modern a rene materialistic it of the World he Empress of >r General S. C. lister of Militia Mewburn; W. C. ernor of British chpl; the Right Jianbp of Michil (Jaanon and Oil the Screen — By Harriett* UnderhiU Pauline Frederick and Tellegen, in 'Let Man Not Put Asunder,' Attract Thrones to Rialto • We have an idea that "Let Not Man Put Asunder" is not . going to prevent any man from doing so. . The reason why ' people m the Rieture did put asunder was not" .Old usual reason f of tke , severing of ties anii: probably the few people 'who rrfight have similar trouble1 and who might contemplafe puttiig Beunder will not be deterred by what they See on^the screen. "Let Not Man' Put Asunder" is a Vitagraph picture,, with Pauline Frederick and Lou' Tellegen as stars. It is the nominal feature at the Rialto, Theater and it seems to be dr; ! btre^tand Seventh" Avenue. AHfieTign Pauline Frederick and Lou Tellegen are the stars, they do not play opposite— or, in other words, they do not fall in love with each other. Neither Thinks of Phoning Leslie Austin plays Harry Vassall aiid Vaaaall is an excellent name for him. Because of his wife's arrogant ways, he leaves her forever, but she has him chained to her chariot wheels, so that he spends the remainder of his youth writing in a diary | passages beginning: "Oh, my lost i love." She loved him, too, so that her | life was ruined , also; and ' she said, "The eyes of my heart have been stricken with blindness." And then went and married Lou Tellegen! And yet neither of these love-lorn people would take up the telephone and call the other. Of course, in a case like that — if there be any such — man should not put asundee! Lou Tellegen plays Dick Lechmere and he, too, leaves his first wife because they cannot agree. She is a grand opera singer and she needs "the plaudits of the multitdde"; and SO they are divorced. But they, too, wander through the world longing for each other. Some people wondered if the Vitagraph company hadn't set out to present a lecture to its stars. It certainly 'is propaganda stuff, all right. It shows the aching void in the lives of divorced persons. Marriage Proposal Grates After Petrina Faneuil, the wife of the vassal, and Lou Tellegen, the husband of the opera singer, had wandered about the world for awhile alone fhey decided to be married, for some reason or other. That was the part we objected to. It doesn't seem a bit decent for a man to say, sadly, "Well, Petrina, I 'spose we might as well get married; we're both lonesome and "nothing matters anyway." How much more moral for him to say, gladly, "Come live with me and be my love!" If the people in the Btory had any sense of humor they must have had to laugh when they called their sweethearts by their firat' names — "I love you, Petrina"; "Felecia, you afe my adored one"; "Gentian, I .cannot live without you," and "Emmy", I worship the ground you walk on." Felecia is the woman who prefers grand opera to a husband's love and she is nicely played by Helena d'Algy. We shan't tell you how. the story ends ahd you never, never would guess. Populace Clambrs for»Seat8_^ By T,'hus^v^hnn^a!ing"lh!s "Kit of information we are doing the Rialto Theater no service. For it will be necessary now for all those who see the picture to stay till the end if they want to find out what happens. Every time any one walks out it leaves a seat for some standee, and '%et Not Man Put 'Asunder" is so, p9puTar"with those wW~h'aVeri'r seen it that there is a gallant COO waiting to enter. The producTToTi"' wia^ffaffT hy J. Stuart Blackton and adapted from Basil King's novel. The two stars are fine, if you like them. There is, an amusing Earl Hurd cartoon called "Pen and Ink Vaudeville." Irving and Jack Kaufman, two piump "boys," who seemed to be known to most of the! spectators, sang "Linger a While" and "Deedle-Dum-Dum." Then, after that, they had a couple of encores. . The overture is "Orpheus m the Lower World," which elicited almost as much applause as Hugo Riesenfeld's classical jazz. Court, Enjoining Police, Hole's Slot Devices Legal No Element of Chance, Says " .-o^.ot. Forbidding Lady' Diana t° Appear In "Miracle" To-night First Glimpse of Vollrnoellcr Play To Be Had at Century Theater " "o tr-nieht at the ■AMERICA'S B'OF WINTER GARDEN B'Ki Matinees TO-DAY. Thurs. ssr'TOPIC: Introducing ALICE DEL' BROADHURST RICHARD BENNE DR! FRANK CRANE' '• 'For All of TJs' Is a very & markable example of the neW trend of the theatre. It irfi HENRY FORD So "The best play I have ev« AMBASSADOR StSfc™; Matinees To-morrow & Saturu — THE SELWY TIMES SQ.M8? Mats. Wed. & Bat. C ANDRE harlot's Revue of 1924 with Beatrice Little Gertrude Lawrence and Jack Buchanan The Revue Intimate KS Prcs* ELTli Mate. V Tlie C< of tb Lot lei with Vio EsteUo Arthl A. E. Ask M«ts. Thur ROSEANNE APOLLO. W. 42 St. Erzs. 8:30. Ml MADGE KENNEDY wUhWC. Fields iD 5th Month— eijoest Musical Comod Mats. THUBK. "THE BEST AMKBICAliTt THE SEASON." — Urywood B ALL ABOCT THE FOLKS * . x 1 \Arthur Hamme < 2ND SEASON with ED|T ItMalNU Matinees TOM'W I . natTo'nal IlSt-TH^ "THE <; REATEST LIVING ACTOR." — J. KtjgJpimX»<h,