The Moving picture world (January 1924-February 1924)

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22 below ZERO ALL OVER CHICAGO BUT — FEVER HEAT AT THE ROOSEVELT THEATRE, where they have been lining them up day and night all week with "The Eternal City." Its beauty; its tremendous dramatic power; its great cast and the marvelous splendor of its scenic backgrounds are all so wonderful that the Chicago critics were unable to decide what was its strongest feature and therefore agreed on it being a 100% — perfect production. And the managers of such big run houses as these agree with them — STANTON— Philadelphia GRAUMAN'S— Los Angeles STRAND— New York CIRCLE— Indianapolis MADISON— Detroit RIVOLI— Baltimore BRANFORD— Newark, N. J. GORDON'S— Boston One of the year's biggest money getters. "Played to $2 500 more than Harold Lloyd's Best," wired Max Balaban, of Balaban & Katz, relative to the first week's showing at the Roosevelt. WHAT MORE COULD ONE ASK? . SAMUEL GOLOWVN (NOT NOW CONNECTED WITH OOLDWYN PICTURES) George Htzmaurice ^■7 pro duction Qhe ETERNAL CITY. • with Lionel Bany more, Barbara LaMarr, Bert Ly tell, Richard Bennett, Montague Love and a cast of 20,000 other*' Sctnario by OUIDA BERGERE From the ttory by SIR HALL CAINE