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John F. Chalmers, president; Alfred J. Chalmers, vice-president; James P. Chalmers, Sr., vice-president; Eliza J. Chalmers, secretary and treasurer, and Ervin L. Hall, business manager.
Branch Offices : 28 East Jackson Boulevard, Chicago; W. E. Keefe, 1962 Cheromoya Avenue, Los Angeles, Cal.
Editorial Staff: Ben H. Grimm, Associate Editor; John A. Archer, Managing Editor.
Movinjr Picture
WORLD
ROBERT E. WELSH — EDITOR
Published Weekly by CHALMERS PUBLISHING COMPANY 516 Fifth Avenue, New York, N. Y.
Member Audit Bureau Circulation
Manager of Advertising: James A Milligan. Manager of Circulation: Dennis J. Shea.
Subscription price: United States and its possessions, Mexico and Cuba, $3.00 a year; Canada, $3.50; foreign countries (postpaid), $10.00 a year. Copyright, 1923, Chalmers Publishing Co. Copyright throughout Great Britain and Colonies under the provisions of the Copyright Act of 1911. (All right! reserved.)
Other publications: Cine Mundial (Spanish). Technical books.
"Name the Man!"
"Name the Man" is a throbbing human heart, its beating responsive to the touch of masterful fingers.
"Name the Man" is poignant drama, presented with the art and the genius that make of drama the breath of real life.
You can't rave about "Name the Man" — at least we don't feel that we can. Because the white heat of enthusiasm seemed never to fall so far short of expressing the full truth.
"Name the Man" is big, not in massive sets nor whirling mobs, but big in its deep-piercing shafts of human appeal. It is worthy of the Victor Seastrom whose work abroad was a prophecy of genius; it is worthy of the Victor Seastrom whom we expected America's wider facilities to mature; and Victor Seastrom proved worthy of it.
Seldom have we seen such assured mastery of tempo; such deft evidences of pictorial sense; such inspired playing with the last dregs of emotion in handling big scenes.
"Name the Man" is a woman's picture, a man's picture — a picture for all who have hearts and tear ducts. It left us with moistened eyes and an abashed feeling of inability to do justice to so vibrant a work of art.