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(continued)
What's the use of kidding ourselves about pictures.
know what hlls the seats. ^Cheers J And Metro-Goldwyn-Mayer knows how to cater to our public. I saw some of the things that they've got coming.
And I realized that the best business move I ever made was when I signed for The Qiiality Fifty-Two.
I overlooked no bets while in Hollywood. ^Laughter J
Seriously, pictures like "Sally, Irene and Mary," and Norma Shearer with Lew Cody in "Free Lips," are pictures that I as an exhibitor would produce.
They've got one called "Bright Lights" with Charlie Ray and Pauline Starke.
The story of a small-town boy who falls tor a Broadway beauty.
That picture IS a wmner.
Every Metro-Goldwyn-Mayer picture I saw I felt this way about.
They've got my slant on pictures and 1 believe in mv slant because it's been making money for me. (^Applausej
I saw Mickey Neilan making a comedy called "The Great Love." WdtCh for that one, gentlemen.
I saw Mae Murray doing an Apache scene in "The Masked Bride."
Coming after "The Merry Widow" that beautiful girl's going to bring in a lot of cash customers.
I guess I sound like a Metro-Goldwvn-Mayer salesman, ^haug/iterj
Well, I am, practically, because every Metro-Goldwyn-Mayer exhibitor gets to be a salesman for the product sooner or later.
I had a great season so far with The Qiiality Fifty-Two.
But Tve seen a lot more of it.
And if you ask me what I liked best in Hollywood Til aiiswer frankly.
I liked best looking over those Metro-Goldwyn-Mayer winners that are still coming to me on my Quality Fifty-Two contract.
I THANK YOU