NAB reports (Jan-Dec 1937)

Page scan 000480 from NAB reports

Record Details:

Title:
NAB reports
Date:
Jan-Dec 1937
Publisher:
Washington D.C. : National Association of Broadcasters
Volume:
NAB reports (Jan-Dec 1937)
Leaf #:
000480
Language:
English
Subjects:
Broadcasters’ news bulletin, NAB member service","Radio broadcasting -- United States – Periodicals","Radio -- Law and legislation -- United States – Periodicals","Television broadcasting -- United States -- Periodicals","Television -- Law and legislation -- United States – Periodicals","National Association of Broadcasters -- Periodicals
Collection:
Broadcasting & Recorded Sound
Format:
Periodicals
Contributor:
University of Maryland College Park
Sponsor:
University of Maryland College Park
Coordinator:
Media History Digital Library
Date Added:
May 30, 2024
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47. PO CO? PO CO? (and) NIE TO NIE (orch.)' 1. by W. Dana, M. Hemar, and J. Mottla, arr. by Wl. Eiger, 2. by J. Rosnera and E. Schlectera, arr. by J. Belzacki. c. Dec. 29, 1933. 48. STARY JOSEL (tango) by M. Ferszko and Jurandota. c. Dec. 29, 1933. 49. SWIR, SWIR (orch.) by K. Namyslowski. c. Dec. 21, 1934. 50. SYMPATJI CHOC ODROBINE (and) A JEDNAK SIE SKONCZYLO (ork. strony) 1. by A. Lenczowski and J. Krzewinski, 2. by J. Skotnicki and Jerry, 1 and 2 arr. by J. Gert. c. Dec. 4, 1935. 51. SYMPATJI CHOC ODROBINE (piesn) by A. Lenczowski and J. Krzewinski. c. Dec. 4, 1935. 52. SZCZESCIE JEST BLISKO (orch.) by H. Pewznera and Jurandota, arr. by W. Eiger, c. July 19, 1934. 53. SZESC PIESNI, Op. 1. (1-6) (musyka) by M. Karlowicz; words (1) by K. Gliuski, (2) by J. Slowacki, (3) by M. Konopnucki, (4), (5) and (6) by K. Tetmojer. c. Dec. 21, 1934. 54. SZKODA KAZDEJ CHWILI (orch.) by F. Melodysty and E. Schlechtera, arr. by Wl. Eiger, c. July 19, 1934. 55. SZKODA KAZDEJ CHWILI (tango) by F. Melodysty and E. Schlechtera. c. July 19, 1934. 56. TA NOC (ork. strony) by L. Rozycki and J. Krzewinski, ai’r. by Wl. Eiger, c. Apr. 8, 1936. 57. TA NOC (piesn) by L. Rozycki and J. Krzewinski. c. Apr. 8, 1936. 58. TAK SAMO NUDZE SIE JAK TY (ork. strony) by Slawomir Bronicz. c. Mar. 10, 1936. 59. TAK SAMO NUDZE SIE JAK TY (piesn) by S. Bronicz. c. Mar. 10, 1936. 60. TANGO BRAZYLIJSKIE (orch.) by A. T. Mullera and J. Krzewinski i L. Brodzinski. c. Dec. 29, 1933. 61. TANGO BRAZLIJSKIE ze “Szczesliwej Podrozy” (song) by A. T. Mullera and J. Krzewinskiego i L. Brodzinskiego. c. Dec. 29, 1933. 62. TANIEC DOLARA (orch.) by M. Cieslakowny, arr. by Z. Bialostocki. c. Dec. 21, 1934. 63. TO MILOSC (orch.) by A. T. Mullera and Jerzy Walden. c. Aug. 28, 1934. 64. TO MILOSC (song) by A. T. Mullera and Jerzy Walden, c. Aug. 28, 1934. 65. W MILOSCI NAJTRUDNIEJSZY JEST POCZATEK (song) by A. Tadeusza Mul¬ lera, Wadyslawa Bugayskiego and Oldlena. c. Dec. 21, 1934. 66. W MILOSCI NAJTRUDNIEJSZY JEST POCZATEK z “Rozkoszna Dziewczyna” (orch.) by A. T. Muller, W. Bugayski, and Oldlena, arr. by A. T. Muller, c. Dec. 21, 1934. 67. WIECZORNA GODZINA (ork. strony) by M. Press and Jerry, arr. by Wl. Eiger, c. July 14, 1936. 68. WIECZORNA GODZINA (piesn) by M. Press and Jerry, c. July 14, 1936. 69. WINO, TY I JA z rewji “Syrena Na Wedce,” by Z. Wiehlera and K. Toma, c. Dec. 29, 1933. 70. WSZYSTKO BEDZIE DOBRZE z 12 “krzesel,” by Wl. Dana, M. Hemara, and J. Mottla. c. Dec. 29, 1933. 71. Z MINIONYCH DNI (orch.) by W. Musnicki. c. Mar. 4, 1935 72. Z MINIONYCH DNI (pf.) by W. Musnicki. c. Mar. 4, 1935. 73. 10 REGJONALNYCH POLSKICH PIESNI LUDOWYCH (chor. mieszany a capella) by Feliks Nowawiejski. c. Dec. 5, 1934. An examination of the assignment records of the United States Library of Congress disclosed certain assignments which were made by GEBETHNER & WOLFF to the SESAC. Copies of these assignments, marked Exhibits 50 to 58 inclusive, are attached to and made a part of this report. Reciprocal copyright agreements between the United States and Poland were completed on February 14, 1927. The first copyright entries of GEBETHNER & WOLFF recorded in the Library of Congress appear in the year 1934, the year during which the SESAC began to license broadcasting stations for the performance of music. The selections contained in the catalog of GEBETHNER & WOLFF probably have a certain per¬ formance value to those radio broadcasters who cannot operate in the public interest, convenience and necessity without using this type of Polish music. 52