NAB reports (Jan-Dec 1937)

Page scan 000602 from NAB reports

Record Details:

Title:
NAB reports
Date:
Jan-Dec 1937
Publisher:
Washington D.C. : National Association of Broadcasters
Volume:
NAB reports (Jan-Dec 1937)
Leaf #:
000602
Language:
English
Subjects:
Broadcasters’ news bulletin, NAB member service","Radio broadcasting -- United States – Periodicals","Radio -- Law and legislation -- United States – Periodicals","Television broadcasting -- United States -- Periodicals","Television -- Law and legislation -- United States – Periodicals","National Association of Broadcasters -- Periodicals
Collection:
Broadcasting & Recorded Sound
Format:
Periodicals
Contributor:
University of Maryland College Park
Sponsor:
University of Maryland College Park
Coordinator:
Media History Digital Library
Date Added:
May 30, 2024
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141. SHARPSHOOTERS (pf.) by G. Metallo, arr. by C. Echtner. c. Dec. 31, 1927. 142. SITAS SOKIS DEL VISU (concertina) arr. by Louis Vitak. c. Dec. 10, 1929. 143. SMUTNA DZIEWCZYNA (E2) (concertina) by Frank Dukli, arr. by L. Vitak. c. June 9, 1928 144. SPORKI WOJSKOWE (concertina) arr. by L. Vitak. c. June 20, 1928. 145. SPRINGTIME POLKA (accd.) arr. by J. P. Elsnic. c. Dec. 10, 1931. 146. SPRINGTIME (concertina) arr. by L. Vitak. c. Feb. 15, 1927. 147. STARY KMIOTEK OBERTAS MAZUR (orch.) arr. by L. Vitak. c. Feb. 15, 1927. 148. STOJI HRUSKA V SIREM POLI (orch.) arr. by Karel Echtner. r A nr 1097 149. SUPKINJA-KOLO (and) NATALIJA-KOLO (concertina) arr. by L. Vitak. c. Sept. 19, 1927. 150. SWEET VIOLETS (band) arr. by L. Vitak. c. Sept. 19, 1927. 151. SWEET VIOLETS (orch.) arr. by L. Vitak. c. Sept. 19, 1927. 152. TA NASE KACKA POLKA (pf. accd.) arr. by J. P. Elsnic. c. Dec. 10, 1931. 153. TAM ZA TEMI KRKONOSI (orch.) arr. by L. Vitak. c. Apr. 26, 1927. 154. TINKER (band) arr. by L. Vitak. c. June 20, 1928. 155. TINKER (orch.) arr. by L. Vitak. c. Dec. 31, 1927. 156. UPARTA DZIEWCZYNA (concertina) arr. by L. Vitak. c. Aug. 1, 1927. 157. UPARTA DZIEWCZYNA (concertina) arr. by L. Vitak. c. Sept. 19, 1927. 158. UPARTA DZIEWCZYNA (pf.) arr. by L. Vitak. c. July 16, 1927. 159. UZ MOU MILOU NA ODDAVKY VEDOU (orch.) arr. by K. Echtner. c. Apr. 26, 1927. 160. V-E POLISH DANCE ORCHES¬ TRA COLLECTION NO. 5 arr. by L. Vitak. c. Dec. 10, 1929. 161. V ZATISI (orch.) arr. by K. Echtner. c. Apr. 26, 1927. 162. VIENI SUL MARE (concertina) arr. by J. P. Els¬ nic c. Dec. 10, 1929. 163. VSECHNY HOLKY TANCUJOU (orch.) arr. by L. Vitak. c. Apr. 26, 1927. 164. WALTZ Z WIDNIA (E2) (concertina) arr. by L. Vitak. c. June 26, 1928. 165. WESELE U WITOSA-KRAKOWIAK (concertina) arr. by L. Vitak. c. Oct. 1, 1927. 166. WESOLA KUJAWIANKA MAZUR (concertina) arr. by M. Zmyslo. c. Dec. 31, 1927. 167. WESOLY GORAL-MAZUR (orch. arr. by L. Vitak. c. Feb. 15, 1927. 168. WESOLA KUJAWIANKS MAZUR (concertina) arr. by M. Zmyslo. c. Oct. 1, 1927. 169. WIRZBICKIEGO (E2) (concertina) by Frank Dukli, arr. by L. Vitak. c. June 9, 1928. 170. WOODLAND IDYL (band) arr. by K. Echtner. c. Sept. 28, 1929. 171. WOODLAND IDYL (orch.) arr. by K. Echtner. c. Jan. 10, 1929. 172. WSZYSTKIE SIE POLA ZAZIELENILYWAC (orch.) arr. by L. Vitak. c. Feb. 15, 1927. 173. Z KROSNA (E2) (concertina) by Frank Dukli, arr. by L. Vitak. c. June 9, 1928. 174. Z MALOPOLSKI (concertina) arr. by J. P. Els¬ nic. c. Dec. 10, 1929. 175. Z POD KRAKOWA (concertina) arr. by L. Vitak. c. Aug. 1, 1927. 176. Z POD KRAKOWA (concertina) arr. by L. Vitak. c. Sept. 19, 1927. 177. Z WIELKOPOLSKI (concertina) arr. by L. Vitak. c. Dec. 10, 1929. 178. ZATOU NASI STODOLICKOU (orch.) arr. by K. Echtner. c. Apr. 26, 1927. 179. ZAWZIELA DZIEWCZYNA POLKA (E2) (concertina) by Frank Dukli, arr. by L. Vitak. c. June 26, 1928. 180. ZEZULINKA KUKA-V A L C I K (orch.) arr. by K. Echtner. c. Apr. 26, 1927. It will be observed that with one exception all of the entries were made not later than 1931. These musical compositions are made up exclusively of Polish music, and include band parts, orches¬ trations, dance collections, concertina arrangements, polkas, etc. VITAK-ELSNIC COMPANY is an important source for such music in the United States, and these selections probably have a certain per¬ formance value to those radio broadcasters who cannot operate in the public interest, convenience and necessity without using this type of Polish music. 174