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No. T37. Shiver and Shake. Little Red Riding Hood. No. T39. The Emperor's New Clothes. Snow White and the 7 Dwarfs. No. T41. The Little Tin Soldier. The Shepherdess and the Chim¬ ney Sweep. No. T43. The Ugly Duckling. The Red Shoes. No. T45. The Nightingale. Abou Hassan or the Sleeper. No. T47. Aladdin and his Wonderful Lamp. Ali Baba and the Forty Thieves. NOTE:—Additional No. T49. The Enchanted Horse. Sinbad the Sailor, Voyage 1 & 2. No. T51. Sinbad the Sailor, Voyage 3. Sinbad the Sailor, Voyage 4. No. T53. Prince Ahmed and Fairy Banou. The Tinder Box. No. T55. The Swineherd and the Princess. The Little Match Girl. No. T57. The Faithful Dog. The Old Old House. No. T59. The Darning Needle. The Three Cows. Fairy Tales are being released weekly. CLASSICS No. Del. Dickens Christmas Carol. A thirty minute complete dramatization of Dickens immortal classic, by radio’s finest actors. No. D105 through D117. Tragedy of Wuthering Heights. (Thirteen 15 minute episodes). Little can be said in synopsis form of Emily Bronte’s masterpiece of literature, “Wuthering Heights.’' Such is its; depth and great¬ ness of theme, that no few words may attempt a brief on the plot or the characters. Laid on the wild moors of North England, the story traces the lives of two characters who are fused by unknown flame into one—Heathcliff and Katherine—the strange antinomies of nature—who rebel against the confines of their world—who love until their love becomes hatred. A strange hatred that does not end even at the roadway of death, but continues to shriek in the wild winds of Wuthering Heights, and walks the gray and forbidding moors, searching for that which was lost—and which will be regained. Authentically and powerfully has the author transcribed the work of Emily Bronte into living words, and cast them into patterns which are prototype to the characters of the book.