University of Oklahoma WNAD Bulletin (October 1, 1948)

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Oct. Oct. Oct. Oct. Oct. Oct. Oct. Oct. Oct. Oct. ; Oct. Oct. ‘Oct. 18—BROWN, That Old Feeling; COATES, _ Sleepy Lagoon; GERSHWIN, They Can’t Take That Away From Me; RODGERS' HART, My Romance; SYMES, No Greater Love. 19—COSTA, Ja. fRedeieda DOMINGUES, Perfidia; SERRANO, Hijo Mio; VALVERDE, Clavelitas; STAUB, Conchita. 20—GERSHWIN, Bess, You Is My Woman; Summertime; PORTER, Night and Day; DAVID, You’re Too Dangerous, Cheri. 21—WAGNER, Evening Star; BALFE, I Dreamt I Dwelt in Marble Halls; RASBACH, Trees; RUBENSTEIN, Romance; MASSENET, Elegy. 22—ARLEN, Over the Rainbow; GERSHWIN, I Got Plenty of Nothin’; It Ain’t Necessarily So; RODGERS-HART, My Heart Stood Still. 23—-LECUONA, La Comparsa; DOMINQUEZ, Frenesi; VALENCIA, Desden; GRENET, Rica Pulpa. 25—HOWARD, I Wonder Who’s Kissing Her Now; CARMICHAEL, Star Dust; PORTER, In the Still of the Night; GREER, just You, Just Me. 26—HERNANDEZ, Cuban Moonlight; BARCELATA, Estrella del Sur; DELFINO, Padre Nuestro; JIMINEZ, Alma en Pena; UNKNOWN, Melondita Addio. 27—AKST, Am I Blue; SEILER, I Don’t Want to Set the World On Fire; WHITING, She’s Funny That Way; GREEN, That’s My Weakness Now; ROME, South America Take It Away; WOLCOTT, Sooner or Later. 28—WHITNEY, Beyond the Blue Horizon; FINDEN, Kashmiri Song; MASCAGNI, Intermezzo; GRIEG, Ich Liebe Dich; BALL, . When Irish Eyes Are Smiling. , ; 29--ROMBERG, The Desert Song; CAR MICHAEL, Old Buttermilk Sky; JONES, Easy Street; RODGERS-HART,. Lover; GERSHWIN, ’S Wonderful. 30—-VILLOLDO, El Choclo; ROSEY, Espanita; SERAS, La Piba de Montevideo; BUSTAMENTE, Mi Viejo Amor; FERRARO, La Sevilliana. | SONGS TO REMEMBER Daily, 11:15-11:30 1—GIOVANNI, Motet—O Day of Serene Light and Agia; BINCHOIS, Farewell My Joys of Love; DE RORE, Chanesn Francaise. 2—GOUNOD, Faust, All Hail, Thou Dwelling | Lowly; BIZET, The Pearl Fishers, 1 Hear As in A Dream; DIX, The Trumpeter, _ 4—SCHUBERT, The Phantom Double; SCHUMANN, Dichterliebe, Excerpts; FOLK SONG, Allow Me, My Fair Maiden. 5—-PARADIES, Arietta—That Little Brook; THOMAS, Mignon, Act II Polonaise—I Am ’ Oct. Oct, Oct. Oct. joa Oct. Oct. Oct. Oct. Oct. Oct. Oct. Oct. Oct. sHOcts vee f _ WNAD PROGRAM BULLETIN @ Titania; VERDI, Rigole/to, Act I, Tell Me. Your Name; POLDINI-LA FORGE, die ~ Doll. : 6—WELSH TRADITIONAL SONG, All _ Through the Night; Men of Harlech; HEISE, Little Karen and Hawks Fly Over Land and Sea; CZECH FOLK SONG, Why Didn’t You. Come; LUNDVIK, A Swedish Lullaby. 7—PONCHIELLI, La Gioconda, Heaven and Ocean; Barnaba’s Soliloquy; Suicide. 8—TCHAIKOVSKY, Queen of Spade$, Yeletsky’s Aria; Eugene Onegin, Introduction and © Duet from Act I; Trio from Act II, Scene 2; Scene and Onegin’s Aria Act III, Scene 2. 9—GEEHL, For You Alone; JURMANN, The One I Love; PORTER, Begin the Beguine; _JURMANN, Cosi Cosa; DELIUS, Love’s Philosophy. 11—SCHUMANN, Hidden Tears; BIZET, Carmen, Flower Song; FINNISH FOLK SONG, Tuku Tuku Lampaitani; SIBELIUS, Come Away Death. 12—SCHUBERT, Serenade; The sighs aes The Linden Tree. 13—BIZET, Carmen, Act II Gypsy Song; Act IV Final Duet. 14—LEONIUS, Praise Him Who Was Crucified in the Flesh; MACHAUT, Ballade—Weep Ladies; ALBERT, Regeneration in Jesus — Christ. \ 15—PUCCINI, Fede. Act III None Shall Sleep; La Boheme, Quartet Act III You Were: Laughing, You Were Flirting!; Tosca, The Stars Were Brightly ee For Art and for Love. ‘ 16—KERN, Bill; But Me. 18—WESTENDORF, I’ll Take You Home Again, Kathleen; HAGEMAN, Miranda; DEL RIEGO, Oh, Dry Those Tears; WAR. REN, There’s Beauty Everywhere. 19—DONIZETTI, Daughter of the Regiment, My Heart Is Going to Change; We Must Depart; Salute to France. < —— You ee Loves Nobody Else . 20—GERSHWIN, Gems from O/ Key: fed Porgy and Bess; KERN, Why Do I Love You? -21—FAURE, La Lune Blanche Luit dans Les Bois; J’Ai Presque Peur en Verite; DEBUSSY, Pelleas et Melisande, Act IV Scene 4—Tu Ne. Sais Pas Pourquoi Il Faut Que Je M’E’ Longne; RAVEL, Le Martin-Pecheur; D’ Anne Jouant de L’Epinette. 22—LISZT, Oh, Quand Je Dors; HAHN, rie Adore; L’Adieu. -23—DELIBES, Lakme, Why in the Big Forest; TSCHAIKOVSKY. Les Larmes; DEBUSSY, Pelleas et Melisande, Act I Scénic II, La nee Lettre; KURT WEILL, Four Walt Whitman ee: Songs, Beat! Beat! Drums! Page 1B =