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From time, to time, during the past year, we have frequently been asked, how percentages on pictures are figured in our DIGEST. True enough, many other film trade papers have quoted box office figures — but practically always in dollars, very seldom in per cent; and, furthermore, when percentages are given, they are generally anything but correct.
The percentages used in our DIGEST are based on actual box office figures received from exhibitors all over the nation. Naturally, 100% is always considered the normal average. In other words, if a theater whose average is $10,000 weekly, grosses $7,500 on a given picture, then that picture draws a 75% rating on that particular run. On the other hand, if an¬ other picture in that same theater grosses $15,000 it is given a 150% rating on that particular run. In other words, in the first case mentioned, the picture would be running 25% below normal while in the second instance, the picture would be run¬
ning 50% above normal business, etc. The figures from all types of houses, both large and small, throughout the country are then averaged out, with the per cent after the name of the picture, being the actual per cent of business, that a certain picture has played to.
In order to give our readers a more concrete example of how percentages are figured out, we are utilizing this page, to give a complete "break-down" on a given picture. For this example, we are using the first box office figures on the 20th Century-Fox production — "IN OLD CHICAGO," which, (with the exception of the cartoon "SNOW WHITE") is the biggest box office feature of the past two years. While this picture was Road-Showed in several key cities, it broke for general release during the latter part of the Lenten Season. We mention this because Road-Show figures are never taken into consideration with our theater averages.
BOX OFFICE RETURNS ON "IN OLD CHICAGO"
In Seattle, Washington, this picture opened at the Fifth Avenue Theater (average weekly gross is $6,200). It grossed $10,997 on its first week, which is equal to 177 V3 % — that is, 771/ 3% above normal business.
1771/3%
$6,200 I $10,997
OTHER KEY CITY RUNS, WITH THEATER GROSSES AND PER CENTS, ARE LISTED BELOW
CITY
THEATER WEEK'S GROSS
%
CITY
THEATER WEEK'S GROSS
%
Seattle, Wash.
Fifth Avenue
$10,997
177
Rochester, N. Y.
Palace
16,455
183
Tulsa, Okla.
Ritz
7,200
180
Dallas, Texas
Majestic
12,458
178
Chicago, Ill.
Roosevelt
22,900
191
Buffalo, N. Y.
Great Lake
18,197
202
Cleveland, Ohio
Hippodrome
20,200
166
Salt Lake City, Utah
Paramount
9,757
176
Toledo, Ohio
Paramount
12,384
173
Indianapolis, Ind.
Indiana
13,558
226
Washington, D. C.
Palace
19,048
146
St. Louis, Mo.
Ambassador
14,158
177
Charlotte, N. C.
Charlotte
4,100
(4 days)
171
Springfield, Ill.
Lincoln
5,987
171
Portland, Maine
Strand
4,850
(4 days)
188
Atlanta, Georgia
Fox
11,943
198
Boston, Mass.
Metropolitan
26,800
191
Oklahoma City, Okla.
Criterion
8,741
194
Albany, N. Y.
Palace
11,941
171
Baltimore, Md.
New
10,948
237
Pittsburgh, Pa.
Alvin
16,405
182
Philadelphia, Pa.
Fox
20,554
154
Richmond, Va.
State
4,936
183
Detroit, Michigan
Fox
29,509
152
Richmond, Va.
Capitol
3,994
187
San Francisco, Calif.
Paramount
24,611
183
Milwaukee, Wise.
Wisconsin
12,339
176
Omaha, Nebr.
Orpheum
14,510
203
Kansas City, Mo.
Tower
13,082
187
New York City
Roxy
62,320
156
Norfolk, Va.
Norva
6,945
174
Reno, Nevada
Maj estic
2,80
(5
days)
181
Louisville, Ky.
Rialto
13,306
204
Nashville, Tenn.
Nashville
8,492
(6
days)
197
Syracuse, N. Y.
Keiths
13,068
187
Salinas, Calif.
California
2,709
(5
days)
189
36 I 6591
AVERAGE ON 36 KEY CITY 1st RUNS . . . . . 183%
7 CHAIN THEATER CIRCUIT REPORTS SHOW AN AVERAGE OF . .194
232 INDEPENDENT THEATER REPORTS SHOW AN AVERAGE OF . .169
3 | 546
PRESENT BOX OFFICE VALUE OF "IN OLD CHICAGO". _ _ 182%
N. B, — It might be of interest to our readers to know that a picture that runs 82% above normal business at the box office, will probably gross in the naborhood of $3,500,000 in the world market. Production cost of "In Old Chicago" was slightly in excess of $1,500,000. — The Editor.