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my thanks. I purchased the massaser four weeks ago, and have reduced my hips four inches and my waist-line two and a half inches. In fact I have had to have all my clothes altered, and what a thrill to see the inches come off! With best wishes for the success of the Bodi-Massager." CSigned) Mra. R. R — 56th St., N. Y. City. This is but one of many -unsolicited letters from enthusiastic users of the Hemp Bodi-Massager. (Xames and addresses on request.)
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The Hemp Bodi-Massager removes fat where fat should come off. It takes off bulges quickly and easily from waist — hips — arms — legs or thighs and makes double chins disappear like magic. It Arms up flabby flesh, strengthens and flexes muscles and brings grace of carriage and a soft and lovely skin.
Invented by a professional masseur it weighs less than a pound and uses no electricity. When pushed over the body, the soft rubber sphericals pick up and knead the muscles and tissues with the firm gentle action of a skillful hand massage. This is not only an effective aid in acquiring a lovely figure, but does wonders for a tired body and frazzled nerves.
Write today for details of this safe and sure way to new body beauty. There is no cost or obligation.
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STATEMENT OF THE OWNERSHIP, MANAGEMENT, CIRCULATION. ETC., REQUIRED BY THE ACT OF CONGRESS OF
MARCH 3, 1933 Of THE NEW MOVIE MAGAZINE, published Monthly at Chicago, Illinois, for October 1, 1934.
State of New York ) sg County of New York J
Before me, a Notary in and for the State and county aforesaid, personally appeared J. E. Flynn, who, having been duly sworn according to law, deposes and says that he is the Business Manager of THE NEW MOVIE MAGAZINE and that the following is, to the best of his knowledge and belief, a true statement of the ownership, management (and if a daily paper, the circulation), etc., of the aforesaid publication for the date shown in the above caption, required by the Act of August 24, 1912, embodied in section 411, Postal Laws and Regulations, printed on the reverse of this form, to wit:
1. That the names and addresses of the publisher, editor, managing editor, and business managers are: Publisher, Tower Magazines, Inc.. 55 Fifth Avenue, New York, N. Y. ; Managing Editor, Frank J. McNelis, 55 Fifth Avenue, New York, N. Y. ; Business Manager. J E. Flynn, 55 Fifth Avenue, New York, N. Y.
2. That the owner is: (If owned by a corporation, its name and address must be stated and also immediately thereunder the names and addresses of stockholders owning or holding one per cent or more of total amount of stock. If not owned by a corporation, tne names and addresses of the individual owners must be given. If owned by a firm, company, or other unincorporated concern, its name and address, as well as those of each individual member, must be given.) Tower Magazines, Inc., 55 Fifth Avenue, New York, N. Y. ; Catherine McNelis, 55 Fifth Avenue, New York, N. Y. ; Marie L. Featherstone. 55 Fifth Avenue, New York, N. Y.
3. That the known bondholders, mortgagees, and other security holders owning or holding 1 per cent or more of total amount of bonds, mortgages, or other securities are: (If there are none, so state.) None.
4. That the two paragraphs next above, giving the names of the owners, stockholders, and security holders, if any, contain not only the list of stockholders and security holders as they appear upon the books of the company but also, in cases where the stockholder or security holder appears upon the books of the company as trustee or in any other fiduciary relation, the name of the person or corporation for whom such trustee is acting, is given; also that the said two paragraphs contain statements embracing affiant's full knowledge and belief as to the circumstances and conditions under which stockholders and security holders who do not appear upon the hooks of the company as trustees, hold stock and securities in a capacity other than that of a bona fide owner; and this affiant has no reason to believe that any other person, association, or corporation has any interest direct or indirect in the said stock, bonds, or other securities than as so stated by him. „„_.
,T. E. FLYNN, Business Manager. Sworn to and subscribed before me this 1st day of October, 1934.
(SEAL) LAURETTA E. GANLY.
(My commission expires March 30, 1935.)
What to Expect in the New Films
{Continued from page 38)
invested it in a broken down livery stable where he plans to exhibit his collection of freaks. Boy, is she mad!!
"Give me that money!" she yells. "I could have gone home on that."
Wally attempts to pat her shoulder. "Why, honey," he says, "you wouldn't go away and leave me. . . ."
"Oh, wouldn't I?" Janet turns and advances on him menacingly. Wally backs up fast. An open trunk catches him, just behind the knees and he collapses into it, comically.
After looking over the real Barnum and Bailey circus, that came to Hollywood late this Summer, Bess Meredyth and Gene Fowler got together and turned out this story of good old Barnum, which is supposed to be more or less authentic.
Adolphe Menjou does right smart with the role of "Bailey," Barnum's pal and eventual partner in freak collecting.
Virginia Bruce plays "Jenny Lind," the sweet singer, for love of whom poor Wally is fit to be tied.
It's a great expose of life under the Big Top, and Wally reiterates the colossal crack made by the mighty Barnum as he counted the day's receipts :
"There's one born every minute!"
nnH»vfFi\ Manhattan
5™m5 is certainly tak"
MA^HATTAA ing. it on the
' chin these davs.
"■"* But then, what
did Manhattan ever do for me that I should care?
Francis Lederer plays the part of a young immigrant, who, after saving exactly enough money to enter the United States, finds, upon arriving at Ellis Island, that the ante has been raised to four times as much as he is nursing in his continental high pockets.
It's been a long trip, and, figuring that the ride back won't be any shorter, Lederer does a swan dive off the port side and moves in on Manhattan without benefit of registration.
He falls in love with Ginger Rogers, a chorus girl who is between jobs. Her kid brother, Jimmy Butler, is selling newspapers to keep the home fires burning, but, because they think that even sisterly chorines are no good influence on a growing boy, the juvenile authorities have just decreed that Jimmy must give up his paper route and hie himself to a boy's school.
And, right here we walked on the set.
For nearly three minutes, the stage was Jimmy's.
By the time the scene was finished, Jimmy's cheeks were wet with real tears, and we were bawling like an orphaned calf! But then . . . Ginger had to dash over to have her mascara touched up and Director Stephen Roberts was blowing his nose significantly, so ... I guess we're not the only
REO
cream-puff in the business.
So you won't worry about it, we'd better tell you that Francis eventually established his right to bring home the bacon in America, marries the girl, and saves Jimmy from the Juvenile Home.
Don Hartman furnished the idea and Norman Krasna made a story out of it.
THE LITTLE , *?° is * SWe+U
,nvISTFIl studio and pret
1.MMH.K ty wonderful in
lots of w ays. BUT, when Katharine Hepburn sets her foot down and says: "I'll have no reporters looking on while I'm working!", even though she doesn't sav "Positively!" . . . well, Papa RKO just digs his toe in the dust and says: "Yes, ma'am!"
So, in the absence of that "personal" touch, we hope you won't mind contenting yourselves with a brief resume of James M. Barrie's classic story about the young parson who strove to make religious order out of the chaos of a small Scottish town, nearly a hundred years ago.
John Beal, who plays the parson, is so good in his line that it isn't any time at all until everybody in town, including Alan Hale, the local sot, is trekking up the "straight and narrow" . . .
To escape the boi'edom of wealth and the gloom of her papa's castle, Hepburn rigs herself out like a gypsy and flutters through the woods, listening to the birdies and bees-ies . . .
Of course, Beal meets up with her, while communing with brooks and stones, and, in spite of the fact that he loves the apparently wanton lady, tries to reform her.
Discovering the romantic interlude in the life of their idol, and not recognizing Heppy, the congregation loses faith and starts to backslide like everything.
Hale falls off the wagon, and, blaming our Katie for the weak link in an otherwise strong chain, tries to kill the gal for shattering his religious illusions.
There is an industrial strike and lots of excitement, but, by the time the last foot of fillum has run through the sprocket, the strike is broken, Hale climbs back on the wagon, and John takes his gypsy woman into his strong arms . . . for keeps.
Director Richard Wallace has the enviable honor of putting Hepburn through her paces.
BOHDERTOWA Q„Thoe+l1 ]*? S an a t m o s
warners p h e r e of
tense expectancy about the set. Paul Muni took Bette Davis roughly by the arm and yanked her unceremoniously into an office marked : "Private." Shutting the door, he walked menacingly toward her.
"I told you to stay away from me!" he speaks angrily. "What do you mean by disturbing me when I'm talking to a lady?" (Please turn to page 72)
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The New Movie Magazine, January, 1935
71