The New Movie Magazine (Jan-Sep 1935)

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CLAUDETTE COLBERT Paramount Then get the barber to do any trimming or cutting needed to conform to the new coiffure. Saturate the hair with a good setting lotion, using as much as the hair will possibly absorb. This is especially important to train the hairs to their new position. Following the picture of your star, comb and part the hair the way it should go, and with the aid of fingers and comb, mold it in the desired waves and curls. Set curls and rolls with hair curlers and twist all stray ends small wire pins. Now for the magic make-up that is to bring out hidden charm of face and features the Hollywood way. First, the usual preliminaries, perfect cleansing with soap and water, cleansing cream, astringent. Now, studying the picture before you, trim your eyebrows or have them shaped for you to give the basic foundation for the new eyebrow line. Next, foundation cream and powder — then, looking in the mirror first at the picture before you and then at yourself, apply rouge to give the desired effect. Then mascara and eye shadow, and eyebrow pencil to produce the subtleties of shadows needed to give your eyes the new depth and contour. And finally the eyebrow pencil to give the necessary length or width; and lipstick painstakingly applied to make your lips as lovely as a star's. .rl.VA"^ ST EX up into round curls and fasten them with Don a net and let the hair dry thoroughly. The surprise comes when you remove the net and lightly comb out the hair to reveal the new coiffure. If plenty of setting lotion has been used and the hair has been thoroughly dried, it will remain in good form for a week without resetting. (It should be brushed once a day, patted and combed back into shape and covered with a net before retiring.) United Artists Portrait Photographs by Frederic Bailey Inset photographs show typical Am erica n girls before treatment. Same girls shown in larger photographs after new hair arrangement and make-up. The New Movie Magazine, February, 1935 31