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DEAFNESS IS MISERY
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Radio: "Voice of Experience, " Columbia Network. See newspaper for time.
CHILDREN'S
*
MILD
On-the-Set Reviews
(Continued from page 33)
''You bet!" Scotty hugged her. "You do that for me and then we play Eskimo!"
After the take, Baby Jane ran to her adored director held up her little face and the two of them rubbed noses like everything! Really, a very touching little scene!
Doris Anderson wrote the story of political intrigue, in which gubernatorial candidates are the helpless victims of Baby Jane's inexplicable impulse to call every man "Daddy!"
When she pulls the "Daddy" business on Roger Pryor's political opponent, Roger makes the most of the situation, plugging the idea that the man's morals are not up to snuff. But, just as it begins to look as though the election were in the bag, little Janie turns around and adopts Roger!
*Mary Astor takes care of the love interest in her usual capable manner, while Andy Devine grabs off comedy honors.
And, if that cunning baby doesn't give Shirley Temple a run for her money, we'll push a peanut up the Boulevard with our nose!
RHUMBA Carole Lombard
• and George Raft
PARAMOUNT might be called runner-uppers for the season's dancing honors. At any rate, the way these two tackle the tricky routine of the popular rhumba is what Aunt Effie would call "a caution!"
On the set, Carole and Raft were taking instructions from a pair of bonafide Cubans, especially imported by Paramount to execute the complicated terpsichore as it should be executed.
The youthful Cubans are brother and sister, and not more than 17 and 13 years old, respectively. But, boy! do they know their gyrations!
As the two of them worked themselves into a frenzy of acrobatics, Miss Lombard suddenly let out a shriek of merriment.
"Imagine me . . . doing that?" she nowled. But you needn't try to imagine it. You'll see the graceful lady really doing it. And a neat job. too. In fact. Carole worked so hard at the strenuous job that, at the end of the first day, a chiropodist had to be called in to do his stuff before the lady could navigate the distance from set to dressing-room!
The story, by Guy Endore, tells of a beautiful society girl who falls, hook, line and sinker, for a handsome dancing man, in a Havana night spot. The h.d.m. is, of course, Mr. Raft. He loves her, too, even enough to teach her the rhumba. But, when he sees that her family is about to disinherit her for associating with a "common entertainer," he does the right thing and breaks up the romance.
To forget, George keeps a date with J. Barleycorn, snapping out of his progressive "stew" only when he learns that Carole has broken her engagement to the man of her family's choice.
Dashing to New York, Raft finds a dancing engagement ready for him to sign, in which he will have a gala premiere at the Frolics.
The night of the opening, Margo, his partner, gets cold feet. And anybodyknows that you can't do the rhumba with cold feet. So, Carole steps into the breach, the two of them put on a dance that fairly tears the house down, and . . . the rest we can leave to your imagination.
Marion Gering directs.
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Well, just to be different, Connie Bennett, wealthy socialite, gets herself a job as reporter on a New York paper. And, because she can't take it, the managing editor, Clark Gable, fires her the very first day.
But, when Clark sees his one-day employe trailing around with Harvey Stevens, society playboy, who is rumored to be the third angle in a society divorce, he figures it might be smart to recall Connie and give her a chance at breaking the nifty scandal.
La Bennett resents the implication that she would be so low as to squeal on her brothers and sisters in crime, and, to put Clark in his place, goes with Stevens to his boat-house.
Stevens' girl friend, the prospective divorcee, tags along, and, when Harvey gives her a push to discourage her, cracks her foolish head against the boathouse.
Scared to death, Stevens hustles Connie back to town, disposes of the body and figures he's all set, until Gable pulls a fast one, shows the boy up and cuts for home, with the acquiescent Connie tucked under his strong right arm.
With Stu Erwin, Henry Armetta, Katherine Alexander and Billie Burke in the cast, it is a good show.
With the capable direction of Bob Leonard, we might name this as one of the Ten Best Bets of the month.
MYSTERY OF
L.
J
Since his undeniable success EDWIN DROOD in «The Man
.MVFKSV. Who Reclaimed
His Head, Claude Rains seems to have "typed" himself as a dispenser of horror. But, as Mary Livingstone says, somebody's got to do it; and what better foil for the Charles Dickens type of creepy mystery than Mr. Rains?
Here is a tale of a Tekyll-and-Hyde choirmaster, who, after cathedral hours, turns fiend because of his love for the girl who is engaged to his nephew.
It so happens that, while the two youngsters (David Manners and Heather Angel) have a deep affection for each other, she is in love with Douglass Montgomery, while Manners loves Doug's sister, Valerie Hobson.
In the cathedral garden, Heather and David confess their true feelings and, in relief that the plans for their illmatched marriage need not be carried out, they impulsively rush into each other's arms for the first really heartfelt kiss that they have ever exchanged.
Unfortunately, Rains walks on the scene just in time to see the embrace. And, next day, Drood is among the missing.
And, right here, Universal says: "What happened to Drood will not be revealed until the picture is completed and on the screen. Whether he ran away, was murdered or kidnaped, or who might have had anything to do with his disappearance, is the mystery that Dickens left unsolved when he died "
A solution has been worked out for the picture, but Director Stuart Walker, whom we pinned to the wall, won't tell ! So until "The Mystery of Edwin Drood" hits the screen, that's all it can be to you . . . and you . . . and me. Just a mystery.
MISSISSIPPI
There was a poker
game aboard the
show boat, with the
hilarious W. L.
Fields on the business end of a "cold"
deck.
"I'll bet a stack," says the southern i gentleman at Fields' left.
64
The Neiv Movie Magazine, March, 1935